BIBLIOGRAFIA
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Direzione e redazione 2014-2017
Direttore: Luigi Russo (Palermo)
Consiglio Direttivo: Leonardo Amoroso (Pisa), Paolo D'Angelo (Roma), Pina De Luca (Salerno), Fabrizio Desideri (Firenze), Elio Franzini (Milano), Giovanni Matteucci (Bologna), Giampiero Moretti (Napoli), Federico Vercellone (Torino)
Redazione 2014 - 2017
Segretario di redazione: Emanuele Crescimanno (Palermo)
area italiana: Adriano Ardovino (volumi) e Rita Messori (riviste);
area inglese: Andrea Pinotti (volumi), Stefano Velotti (riviste), Alessandro Nannini (altre zone in lingua inglese);
area francese: Michele Bertolini (volumi), Giuseppe Di Liberti (riviste);
area tedesca: Pietro Conte (volumi), Micaela Latini (riviste);
area spagnola: Giuseppe Patella;
area portoghese: Claudio Rozzoni;
area esteuropea: Serena Feloj;
area russa: Alessio Scarlato;
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Álvarez Falcón, Luis, El lugar en el espacio: Fenomenología y Arquitectura, “Fedro: revista de estética y teoría de las artes”, 13, 2014, pp. 17-30.
Álvarez Hernández, Sandra, Paisajes oníricos: la búsqueda de Polifilo en los jardines del Renacimiento, “Anales del Instituto de Investigaciones Estéticas”, XXXVI, 104, 2014, pp. 9-54.
Ólafsdóttir, Margrét Elísabet, Comment l’art est venu à la vidéo en Islande, “Ligeia. Dossier: L’art vidéo”, XXVII Année, 133-136, 2014.
Öztürk, Nazmiye, A Concept Resource for Architectural Design: The Book of Robert Venturi “Complexity and Contradiction on Architecture”, “FLSF: Felsefe ve Sosyal Bilimler Dergisi (Journal of Philosophy and Social Sciences)”, 17 (2014), pp. 309-324.
Ševčík, Miloš, UmÄ›ní jako vyjádÅ™ení smyslu: filozofie umÄ›ní Jana Patočky [L'arte come espressione di un significato: la filosofia dell'arte di Jan Patočka], Pavel Mervart, ÄŒervený Kostelec, 2014, 254 pp.
Ševčenko, Nadežda, Osnovy ritoriki [Fondamenti della retorica], Izdatel’skij otd. Gos. poljarnoj akad., Sank Peterburg, 2014, 256 pp.
Šilo, Aleksandr, Portret i maska: voprosy teorii i metodologii [Ritratto e maschera: domande di teoria e metodologia], Izd-vo VGTU, Velgorod, 2014, 316 pp.
Ašimbaeva, Natal’ja, Dostoevskij. Konteksty slov [I contesti delle parole], Serebrjannyj vek, Sankt Peterburg, 2014, 225 pp.
Aa. Vv., Que peut une image?, Textuel, Paris, 2014, 225 pp.
Aa.Vv., Acciones comunes: miradas e intervenciones urbanas desde el arte y la arquitectura, Recolectores Urbanos Editorial, Sevilla, 2014, 124 pp.
Aa.Vv., Aesthetic Perfection: The Higashiyama Gomotsu Collection Assembled by the Ashikaga Shoguns in the 14th to 15th Centuries, Mitsui Memorial Museum, Tokyo 2014, 268 pp.
Aa.Vv., Esthétique et philosophie de l’art. Repères historiques et thématiques, De Boeck, Louvain-la-Neuve, 2014, 525 pp.
Aa.Vv., La teoría e historia del arte frente a los debates de la globalización y la posmodernidad, Ediciones Universidad de Buenos Aires, Buenos Aires, 2014, 628 pp.
Aa.Vv., Tendencias estéticas y literarias en la cultura contemporánea, Renacimiento, Sevilla, 2014, 292 pp.
Aa.Vv., The Oxford Handbook of Japanese Cinema, Tokyo 2014, 632 pp.
Abadi, Florencia, From Kant to Romanticism: Towards a Justification of Aesthetic Knowledge in the Young Benjamin, “Critical Horizons: A Journal of Philosophy and Social Theory”, 15 (2014), pp. 82-94.
Abel, Julia, Walter Benjamins Übersetzungsästhetik. “Die Aufgabe des Übersetzers” im Kontext von Benjamins Frühwerk und seiner Zeit, Aisthesis, Bielefeld, 2014, 398 pp.
Abramova, Natal’ja, Ritorika [Retorica], Prospekt, Moskva 2014, 279 pp.
Agger, Gunhild, Rose, Gitte, Christiansen, Hans-Christian, Thorlacius, Lisbeth, Haastrup, Helle Kannik, Analyse af billedmedier, det digitale perspektiv [Analisi dei media visivi, la prospettiva digitale], Samfundslitteratur, Frederiksberg, 2014, 470 pp.
Ahijado, Jorge Quijano, Autour du visible, l’image et la fuite, L’Harmattan, Paris, 2014, 228 pp.
Aiftincă, Marin, Art and Art’s De-aestheticization, “Balkan Journal of Philosophy”, 6 (2014), pp. 95-102.
Aisemberg, Gregory, Dewey's Deconstructive Hermeneutic: Contra The Phenomenology And Morphology Of Aesthetic-Mystical Experience Statically Conceived, “Journal Of Aesthetic Education”, 48 (1) (2014), pp. 54-75.
Akopov, Garnik, a cura di, Chudožestvennoe soznanie [La coscienza artistica], Izd-vo PGSGA, Samara, 2014, 327 pp.
Albertazzi, Liliana, Qu’est-ce que l’œuvre aujourd’hui? Du théâtre à l’architecture, Hermann, Paris, 2014, 172 pp.
Alcaide Ramírez, Aurora, et al., Poéticas del desplazamiento, Editum. Ediciones de la Universidad de Murcia, Murcia, 2014, 181 pp.
Alcock, Nicholas James, The Insubstantial And Exclusionary Nature Of Plato's Aesthetic Theory, “Stance: An International Undergraduate Philosophy Journal”, 7 (2014), pp. 79-88.
Alfieri, Alessandro, Per una teoria warburghiana dell'ascolto musicale. Sopravvivenze e anacronismi tra Procul Harum e Bach, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 129-139.
Allesch, Christian G., An Early Concept of “Psychological Aesthetics” in the “Age of Aesthetics”, “Proceedings of the European Society for Aesthetics”, 6 (2014), pp. 1-12.
Allouche, Jean-Paul, Kapoula, Zoï, Lestocart, Louis-José, a cura di, Esthétique et complexité II. Neurosciences, évolution, épistémologie, philosophie, CNRS Éditions, Paris, 2014, 530 pp.
Alonso Atienza, Loreto, et al., Pensar la imagen. Pensar con las imágenes, Editorial Delirio, Salamanca, 2014, 396 pp.
Altamura, Carlo Alfredo, Dell'Osso, Bernardo, Benatti, Beatrice, Il desiderio e l'ossessione del desiderio, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 69-88.
Alvarez Portugal, Tania Vanessa, "Bildwissenschaft": Una disciplina en construcción, “Anales del Instituto de Investigaciones Estéticas” (México), 36 (105), 2014, pp. 215-254.
Alward, Peter, Butter Knives And Screwdrivers: An Intentionalist Defense Of Radical Constructivism, “Journal Of Aesthetics And Art Criticism”, 72 (3) (2014), pp. 247-260.
Amaturo, Matilde, Le atmosfere di Lucia Romualdi, “Lebenswelt. Aesthetics and philosophy of experience”, IV (2014), pp. 138-142.
Andersen, Kim, Kierkegaard, Rorty, And Evolution, “Philosophy And Literature” 38 (1A) (2014), pp. A248-A266.
Anderson, Amanda, Postwar Aesthetics: The Case Of Trilling And Adorno, “Critical Inquiry”, 40, 4 (2014), pp. 418-438.
Andina, Tiziana, Gilmore, Jonathan, Goehr, Lydia, Herwitz, Daniel, Kelly, Micheal, Rush, Fred, Six Pieces for Arthur Danto (1924-2013). In Memoriam, “Rivista di Estetica” (Torino), n.s., LV (2014/1), pp. 3-20.
Andri, Emilia, L'enigma di Edipo. Dall'Œdipe Conquérant di Marie Delcourt al Bouc Émissaire di René Girard, “Itinera. Rivista di filosofia e di teoria delle arti”, n.s., VII (2014), pp. 163-182.
Angelino, Lucia, Entre voir et tracer: Merleau-Ponty et le mouvement vécu dans l’expérience esthétique, Mimesis France, Paris, 2014, 135 pp.
Angelucci, Daniela, Duplicità dell'oggetto filmico, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), V (2014), pp. 53-63.
Apostolou-Hölscher, Stefan, Biopolitika, deleuzianizem in usoda estetike [Biopolitica, deleuzianesimo e il destino dell’estetica], “Maska” (Ljubljana), 29 (2014), pp. 16-25.
Araújo, Nelson, a cura di, Manoel de Oliveira. Análise estética de uma matriz cinematográfica, Edições 70, Lisboa, 2014, 150 pp.
Armstrong, Philip, Mallarmé à travers, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).
Arnaud, Diane, Zabunyan, Dork, a cura di, Les images et les mots: décrire le cinéma, Presses Universitaires du Septentrion, Lille, 2014, 199 pp.
Arnaud, Jean, Le dessin saturé. Réflexions sur quelques œuvres graphiques contemporaines (Ghada Amer, Pierre Bismuth, Julie Mehretu), “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles), pp. 29-41.
Arndt, Andreas, a cura di, Gebrochene Schönheit. Hegels Ästhetik – Kontexte und Rezeptionen, De Gruyter, Berlin, 2014, 224 pp.
Arvidsson, Alf, Bilder från musikskapandets vardag: mellan kulturpolitik, ekonomi och estetik [Immagini dalla quotidianità della creazione musicale. Tra politica culturale, economia ed estetica], Institutionen för kultur och medievetenskaper, Umeå universitet, Umeå, 2014, 222 pp.
Asmuth, Berhard, Strenge Aufmerksamkeit im 18. Jahrhundert. Ihre Ausdehnung von der Rhetorik zur Ästhetik, “Rhetorik” (Bern), 33, 1 (2014), pp. 1-16.
Assouly, Julie, Rêves et cauchemars de l’American dream: les frères Coen et la rencontre des arts, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
Aumann, Antony, The Relationship Between Aesthetic Value And Cognitive Value, “Journal Of Aesthetics And Art Criticism”, 72 (2) (2014), pp. 117-127.
Aumiller, Rachel, Komična tesnoba: Hegel in Marx o gledališkem in historičnem prizorišÄu komedije [Angoscia comica: Marx e Hegel sul palcoscenico teatrale e storico della commedia], “Borec” (Ljubljana), 66 (2014), pp. 140-158 .
Aumont, Jacques, Limites de la fiction. Considérations actuelles sur l’état du cinéma, Bayard, Montrouge, 2014, 230 pp.
Avila Rodríguez, Adela, De la germinación de lo siniestro: La belleza en espejo roto, “La palabra” (Colombia), N. 24, 2014, pp. 99-109.
Azizova, Irina, Kategorija prekrasnogo v mire prirody i žizni čeloveka [La categoria della bellezza nel mondo della natura e della vita dell’uomo], Izd-vo RGPU im. Gercena, Sankt Peterburg, 2014, 159 pp.
Büttner, Frank, Landschaft – Mythos – Geschichte. Entwürfe der Ästhetik zwischen Schiller und Schelling, Fink, Paderborn, 2014, 280 pp.
Baena Peña, Enrique, La invención estética: contribución crítica al simbolismo en las letras hispánicas contemporáneas, Cátedra, Madrid, 2014, 312 pp.
Bahlmann, Katharina, Feige, Daniel Martin, Arthur C. Dantos Kunstphilosophie. Eine kritische Bestandsaufnahme, “Zeitschrift für Kulturphilosophie” (Hamburg), 8, 2 (2014), pp. 323-341.
Baldacchino, John, Art’s False “Ease”:Form, Meaning and a Problematic Pedagogy, “Studies in Philosophy and Education”, 33 (2014), pp. 433-450.
Banu, Lisa S., Black Noise: Design Lessons From Roasted Green Chiles, Udon Noodles, And Pound Cake, “Journal Of Speculative Philosophy: A Quarterly Journal Of History, Criticism, And Imagination”, 28 (1) (2014), pp. 17-30.
Baranova, Jurate, Artaud Versus Kant: Annihilation Of The Imagination In Deleuze's Philosophy Cinema, “Cinema: Journal Of Philosophy And The Moving Image”, 6. (2014), pp. 137-154.
Barbancho, Rodríguez, Juan Ramón, Arte social y político: el trabajo de Doris Salcedo, “Laocoonte: revista de estética y teoría de las artes”, n. 1, 2014, pp. 123-129.
Barber, Michael, Dreher, Jochen, a cura di, The Interrelation of Phenomenology, Social Sciences and the Arts, Springer, Dordrecht, 2014, 380 pp.
Barbero, Carola, Emma and The Others, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 97-110.
Barceló, Joaquín, En torno a filosofía, retórica y política, “Estudios públicos” (Chile), N. 133, 2014, pp. 97-123.
Bardet, Marie, Improvisation en danse, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
Bares Partal, Juan de Dios, La más verdadera tragedia: la crítica de Platón a la poesía, “Laocoonte: revista de estética y teoría de las artes”, n. 1, 2014, pp. 71-85.
Bargenda, Angela, La communication visuelle dans le secteur bancaire européen: L’esthétique de la finance, L’Harmattan, Paris, 2014, 252 pp.
Barrena, Sara, Charles S. Peirce In Europe: The 'Aesthetic Letters', “Transactions Of The Charles S. Peirce Society: A Quarterly Journal In American Philosophy”, 50 (3) (2014), pp. 435-443.
Bartalesi, Lorenzo, La fragilità dell'oggetto estetico, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), V (2014), pp. 106-119.
Basin, Evgenij, Duch, duša i iskusstvo [Spirito, anima e arte], Gumanitarnij, Moskva, 2014, 195 pp.
Bastos da Silva, Jorge, Bodies Of Estrangement: Mel Gibson, Sacrifice And History, “Angelaki: Journal Of The Theoretical Humanities”, 19.4 (2014), pp. 65-78.
Baumann, Pierre, Drawing, carve, bore and be bored, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles), pp. 42-65.
Baychelier, Guillaume, Jeux vidéo horrifiques et artialisation des émotions extrêmes, "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 81-92.
Beccalli, Marco, Lucrezio interpreta Epicuro: Kant e il piacere, il sublime, la natura, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 88-103.
Becker, Alexander, Zeitstrukturen in Jazz, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 79-92.
Becker, Karin, Brecevic, Geska Helena, Veneration And Wonder - The Politics Of Making Art In An Oaxacan Village, “Journal Of Aesthetics And Culture”, 6 (2014), pp. e1-e21.
Begue, Laurent, Une martialisation des émotions. De l’ultraviolence dans le jeu video, “Nouvelle revue d’esthétique. L’artialisation des émotions”, 14, 2014/2, pp. 31-37.
Bellati, Giovanna, Victor Hugo e il fou du roi: variazioni su un tipo, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 31-46.
Benjamin, Noys, Estetika krize: forme romana in forme vrednosti [L’estetica della crisi: forme del romanzo e forme del valore], “Borec” (Ljubljana), 66 (2014), pp. 178-191.
Benovsky, Jiri, The Limits Of Photography, “International Journal Of Philosophical Studies”, 22 (5) (2014), pp. 716-733.
Bentoglio, Alberto, L'Edipo Re di Franco Branciaroli nello studio di Sigmund Freud, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VI (2014), pp. 195-202.
Berchtold, Jacques, Martin, Christophe, Séité, Yannick, a cura di, Rousseau et le spectacle, Armand Colin, Paris, 2014, 400 pp.
Berenpas, Martine, The Monstrous Nature of Art - Levinas on Art, Time and Irresponsibility, “Proceedings of the European Society for Aesthetics”, 6 (2014), pp. 13-23.
Berezovčuk, Larisa, Očerki teorii kino [Saggi di teoria del cinema], Rossjskij institut istorii iskusstv, Sankt Peterburg, 2014, 343 pp.
Bergamaschi, Matteo, L'icona problematica. Sulla raffigurazione di Cristo in La ricotta di Pasolini e La passione di Mazzacurati, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 121-132.
Bering, Kunibert et al., Bildbegriff und Kunstverständnis im kunstpädagogischen Kontext, Athena, Oberhausen, 2014, 202 pp.
Berlanga Fernández, Inmaculada, García García, Francisco, Ciberretórica: Aristóteles en las redes sociales: "manual" de retórica en la comunicación digital, Editorial Fragua, Madrid, 2014, 266 pp.
Berleant, Arnold, Environmental Sensibility, “Studia Phaenomenologica: Romanian Journal of Phenomenology”, 14 (2014), pp. 17-23.
Bernier, Marc André, a cura di, Parallèle des Anciens et des Modernes. Rhétorique, histoire et esthétique au siècle des Lumières, Hermann, Paris, 2014, 214 pp.
Bersier, Gabrielle, Wege des Heilens. Goethes physiologische Autobiographie “Dichtung und Wahrheit”, Königshausen & Neumann, Würzburg, 2014, 253 pp.
Bertinetto, Alessandro, Jazz als gelungene Performance. Ästhetische Normativität und Improvisation, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 105-140.
Bertram, Georg W., Jazz als paradigmatische Kunstform. Eine Metakritik von Adornos Kritik des Jazz, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 15-28.
Bertram, Georg W., Kunst als menschliche Praxis. Eine Ästhetik, Suhrkamp, Berlin, 2014, 225 pp.
Bertrand, Gwenaëlle, Favard, Maxime, a cura di, Poïétiques du design. Vers de nouveaux paradigmes de la conception?, L’Harmattan, Paris, 2014, 112 pp.
Bettetini, Maria, The Ancient Faults of the Other: Religion and Images at the Heart of an Unfinished Dispute, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 141-162.
Betz, Connie, a cura di, Ästhetik der Schatten. Filmisches Licht 1915-1950, Schüren, Marburg, 2014, 160 pp.
Beyaert-Geslin, Anne, Dondero, Maria Giulia, Art et sciences. Approches sémiotiques et philosophiques des images, Presses Universitaires de Liège, Liège, 2014, 182 pp.
Beyer Andrea, Osterkamp, Ernst, a cura di, Goethe et l’art, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 2 tomes, 419 pp., 556 pp.
Beyer, Andreas, Mengoni, Angela, von Schöning, Antonia, a cura di, Interpositions. Montage d’images et production de sens, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 203 pp.
Beyer, Andreas, Valentin, Jean-Marie, a cura di, Lessing, la critique et les arts, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 146 pp.
Bianchi, Lorenzo, La faccia nascosta di Hollywood: Tim Burton e il sublime, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 104-122.
Bicknell, Jeanette, Architectural Ghosts, “Journal Of Aesthetics And Art Criticism”, 72.4 (2014), pp. 435-441.
Bignamini, Paolo, Foto con signora. Omaggio a L'amore fugge di François Truffaut, “Materiali di Estetica” (Milano), I (2014), pp. 187-192.
Birnbaum, Antonia, Extra, Extra, Read All About It! Contemporary Art Is Postconceptual Art, “Radical Philosophy: A Journal Of Socialist And Feminist Philosophy”, 183. (2014), pp. 33-39.
Bizzarri, Elisa, Frammenti di Edipo. La figura di Edipo nei frammenti poetici di età arcaica e classica, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VII (2014), pp. 9-34.
Blümlinger, Christa, Aufklärer der Bilder. Harun Farocki (1944–2014), “Montage A/V. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation” (Marburg), 32, 2 (2014), pp. 178-194.
Black, Daniel, An Aesthetics Of The Invisible: Nanotechnology And Informatic Matter, “Theory, Culture And Society”, 31, 1 (2014), pp. 99-121.
Blyth, Dougal, Political “Technê”. Plato And The Poets, “Polis: The Journal Of The Society For The Study Of Greek Political Thought”, 31, 2 (2014), pp. 313-351.
Bodini, Jacopo, Antoine Doinel e la commedia dell'Edipo, “Materiali di Estetica” (Milano), I (2014), pp. 174-186.
Bodini, Jacopo, La parete speculare e lo schermo del Reale, “Rivista di Estetica” (Torino), n.s., LV (2014/1), pp. 71-86.
Bodini, Jacopo, Tra immagine-tempo e immagine-desiderio: l'immagine-intensità, “Materiali di Estetica” (Milano), I (2014), pp. 137-162.
Boehm, Gottfried, a cura di, Gesicht und Identität, Fink, Paderborn, 2014, 327 pp.
Boehm, Gottfried, a cura di, Imagination. Suchen und finden, Fink, Paderborn, 2014, 275 pp.
Bogaerts, Jo, Sartre, Kafka And The Universality Of The Literary Work, “Sartre Studies International: An Interdisciplinary Journal Of Existentialism And Contemporary Culture”, 20, 1 (2014), pp. 69-85.
Bonasio, Giulia, Aesthetic Pleasure: Cognition and Emotion in the Aesthetic Concepts. Remarks after Sibley’s Works, “Rivista di Estetica”, 54 (2014), pp. 183-201.
Bonnet, Gilles, L’hypéritexte. Poétique de la relecture dans l'œuvre numérique de François Bon, "Poétique", 175, 2014/1 (Le Seuil, Paris), pp. 21-34.
Boroda, Elena, Naučnoe i fantastičeskoe v russkoj literature [Scientifico e fantastico nella letteratura russa], Izd-vo TGU, Tambov, 2014, 235 pp.
Bosch, Aida, Mimesis und Transformation. Das fotografische Bild als Aktant mit paradoxen Wirkungen, “Paragrana. Internationale Zeitschrift für historische Anthropologie” (Berlin), 23, 2 (2014), pp. 153-164.
Botz-Bornstein, Thorsten, H-Sang Seung: Design Is Not Design, “Journal Of Aesthetic Education”, 48 (1), (2014), pp. 108-121.
Bouchard, Benjamin, Les figures de la diversité, "Poétique", 175, 2014/1 (Le Seuil, Paris), pp. 3-20.
Boughriet, Halida, «Corps de masse» (entretien avec Caroline Hoffman-Benzaria), “Ligeia. Dossier: L'art vidéo”, XXVII Année, 133-136, 2014.
Bouissou, Jean-Marie, a cura di, Esthétiques du quotidien au Japon, Éditions du Regard, Paris, 2014, 193 pp.
Bourasse, Renée, Poissant, Louise, a cura di, Personnage virtuel et corps performatif: effets de présence, Presses de l’Université Laval du Québec, Sainte-Foy, 2014, 355 pp.
Bourget, Jean-Loup, Ré-enchanter les musées, “Critique. Le musée, sous réserve d’inventaire”, 805-806, 2014, pp. 508-519.
Bouso Garcia, Raquel, Arakawa and Gins’s Nonplace: An Approach from an Apophatic Aesthetics, “Journal of Japanese Philosophy”, II (2014), pp. 75-103.
Boutel, Adrian, Lewens, Tim, The Descent Of Culture, “British Journal Of Aesthetics”, 54 (4) (2014), pp. 489-492.
Boyer, Geneviève, Relativisme et Esthétique. Des goûts et des couleurs peut-on discuter?, Omniscriptum, Saarbrücken, 2014, 104 pp.
Bradatan, Costica, “We Will Die And Will Be Free”: A Gnostic Reading Of “The Double Life Of Véronique”, “Angelaki: Journal Of The Theoretical Humanities”, 19 (4), (2014), pp. 127-139.
Bradfield, Erin, Productive Excess: Aesthetic Ideas, Silence, And Community, “Journal Of Aesthetic Education”, 48, 2 (2014), pp. 1-15.
Bradley, Helen, Reducing The Space Of Seeing-In, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 409-424.
Brady, Emily, Aesthetic Value, Ethics And Climate Change, “Environmental Values”, 23, 5 (2014), pp. 551-570.
Bralgin, Erog, Ekzistencializm i realističeskoe iskusstvo [Arte esistenzialista e realista], AGAO im. Šukšina, Bijsk, 2014, 417 pp.
Branco, Maria João, Constâncio, João, Marton, Scarlett (a cura di), Nietzsche e modernidade. Sujeito, décadence e arte, Tinta-da-China, Lisboa-Rio de Janeiro, 2014, 397 pp.
Brandes, Peter, Rocca, Ettore, At se Abraham [Vedere Abramo], Wunderbuch, Skive, 2014, 94 pp.
Brann, Eva T H., Socrates: Antitragedian, “Philosophy And Literature”, 38, 1 (2014), pp. 30-40.
Braun, Bernhard, Die Aufhebung der Natur in den Geist. Hegels Ästhetik als Leseanleitung für dessen prämoderne Metapher vom Absoluten, “Salzburger Jahrbuch für Philosophie” (Salzburg), 59 (2014), pp. 87-106.
Braune-Krickau, Tobias, a cura di, Vom Ende her gedacht. Hegels Ästhetik zwischen Kunst und Religion, Alber, Freiburg, 2014, 228 pp.
Bravo, Víctor, Leer el mundo: lectura y experiencia estética, Ediciones Castalia, Mérida (Venezuela), 2014, 234 pp.
Bredekamp, Horst, Der schwimmende Souverän. Karl der Grosse und die Bildpolitik des Körpers. Eine Studie zum schematischen Bildakt, Wagenbach, Berlin, 2014, 172 pp.
Brinkerhoff, Anna, Resolving The Paradox Of Fiction: A Defense Of Irrationalism, “Stance: An International Undergraduate Philosophy Journal”, 7. (2014), pp. 41-50.
Brittenham, Claudia, Nagao Cacaxtla, Debrah, Figural Ceramics, “Anales del Instituto de Investigaciones Estéticas”, Vol. XXXVI, n. 104, 2014, pp. 55-96.
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De Azevedo Ramos, Felipe, The Metaphysics of Light in the Aesthetics of Suger of Saint-Denis, “Dionysius”, 32 (2014), New Series, pp. 116-139.
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Grothaus, Christian J., Baukunst als unmögliche Möglichkeit. Plädoyer für eine unbestimmte Architektur, Transcript, Bielefeld, 2014, 318 pp.
Grzebeta, Sven, Ethik und Ästhetik der Börse, Fink, München, 2014, 279 pp.
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Hamilton, James R., Notes On The Experience Of Tragedy, “British Journal Of Aesthetics”, 54, 2 (2014), pp. 255-265.
Hammer-Tugendhat, Daniela, Todes- und Jenseitsimaginationen in der christlichen Kunst, “Zeitschrift für Kulturwissenschaft” (Kiel), 8, 2 (2014), pp. 13-30.
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Hasse, Jürgen, Atmospheres as Expression of Medial Power. Understanding Atmospheres in Urban Governance and under Self-guidance, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 214-229.
Hasse, Jürgen, Was Räume mit uns machen – und wir mit ihnen. Kritische Phänomenologie des Raumes, Alber, Freiburg im Breisgau, 2014, 440 pp.
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Hauck, Thomas, Landschaft und Gestaltung. Die Vergegenständlichung ästhetischer Ideen am Beispiel von “Landschaft”, Transcript, Bielefeld, 2014, 292 pp.
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