T

  • Talon-Hugon, Carole, L’antiquité grecque. Une histoire personnelle et philosophique des arts, PUF, Paris, 2014, 224 pp.
    Talon-Hugon, Carole, L’antiquité grecque. Une histoire personnelle et philosophique des arts, PUF, Paris, 2014, 224 pp.
    Talon-Hugon, Carole, L’antiquité grecque. Une histoire personnelle et philosophique des arts, PUF, Paris, 2014, 224 pp.
  • Talon-Hugon, Carole, L’art victime de l’esthétique, Hermann, Paris, 2014, 178 pp.
    Talon-Hugon, Carole, L’art victime de l’esthétique, Hermann, Paris, 2014, 178 pp.
    Talon-Hugon, Carole, L’art victime de l’esthétique, Hermann, Paris, 2014, 178 pp.
  • Talon-Hugon, Carole, L’artialisation des émotions, «Nouvelle revue d’esthétique. L’artialisation des émotions»,14, 2014/2, pp. 5-8.
    Talon-Hugon, Carole, L’artialisation des émotions, «Nouvelle revue d’esthétique. L’artialisation des émotions»,14, 2014/2, pp. 5-8.
    Talon-Hugon, Carole, L’artialisation des émotions, «Nouvelle revue d’esthétique. L’artialisation des émotions»,14, 2014/2, pp. 5-8.
  • Talon-Hugon, Carole, Moyen Âge et Renaissance. Une histoire personnelle et philosophique des arts, PUF, Paris, 2014, 124 pp.
    Talon-Hugon, Carole, Moyen Âge et Renaissance. Une histoire personnelle et philosophique des arts, PUF, Paris, 2014, 124 pp.
    Talon-Hugon, Carole, Moyen Âge et Renaissance. Une histoire personnelle et philosophique des arts, PUF, Paris, 2014, 124 pp.
  • Tamari, Tomoko, Metabolism: Utopian Urbanism And The Japanese Modern Architecture Movement, “Theory, Culture And Society”, 31.7-8 (2014), pp. 201-225.
    Tamari, Tomoko, Metabolism: Utopian Urbanism And The Japanese Modern Architecture Movement, “Theory, Culture And Society”, 31.7-8 (2014), pp. 201-225.
    Tamari, Tomoko, Metabolism: Utopian Urbanism And The Japanese Modern Architecture Movement, “Theory, Culture And Society”, 31.7-8 (2014), pp. 201-225.
  • Tata, Michael Angelo, Big Time Sensuality: Co-aesthesis and the End of Indiscernibilia-philia, “Rivista di Estetica”, 54 (2014), pp. 155-167.
    Tata, Michael Angelo, Big Time Sensuality: Co-aesthesis and the End of Indiscernibilia-philia, “Rivista di Estetica”, 54 (2014), pp. 155-167.
    Tata, Michael Angelo, Big Time Sensuality: Co-aesthesis and the End of Indiscernibilia-philia, “Rivista di Estetica”, 54 (2014), pp. 155-167.
  • Tedesco, Salvatore, Funktionkreis e Gestaltkreis: la metafora del circolo nella biologia teoretica, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/2), pp. 177-185.
    Tedesco, Salvatore, Funktionkreis e Gestaltkreis: la metafora del circolo nella biologia teoretica, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/2), pp. 177-185.
    Tedesco, Salvatore, Funktionkreis e Gestaltkreis: la metafora del circolo nella biologia teoretica, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/2), pp. 177-185.
  • Tedesco, Salvatore, Morfologia estetica. Qualche riflessione su forma e funzione in estetica alla luce della teoria dell'evoluzione, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 323-338.
    Tedesco, Salvatore, Morfologia estetica. Qualche riflessione su forma e funzione in estetica alla luce della teoria dell'evoluzione, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 323-338.
    Tedesco, Salvatore, Morfologia estetica. Qualche riflessione su forma e funzione in estetica alla luce della teoria dell'evoluzione, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 323-338.
  • Tedjasukmana, Chris, Die Öffentlichkeit des Kinos. Politische Ästhetik in Zeiten des Aufruhrs, “Montage A/V. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation” (Marburg), 23, 2 (2014), pp. 105-121.
    Tedjasukmana, Chris, Die Öffentlichkeit des Kinos. Politische Ästhetik in Zeiten des Aufruhrs, “Montage A/V. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation” (Marburg), 23, 2 (2014), pp. 105-121.
    Tedjasukmana, Chris, Die Öffentlichkeit des Kinos. Politische Ästhetik in Zeiten des Aufruhrs, “Montage A/V. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation” (Marburg), 23, 2 (2014), pp. 105-121.
  • Tedjasukmana, Chris, Mechanische Verlebendigung. Ästhetische Erfahrung im Kino, Fink, Paderborn, 2014, 329 pp.
    Tedjasukmana, Chris, Mechanische Verlebendigung. Ästhetische Erfahrung im Kino, Fink, Paderborn, 2014, 329 pp.
    Tedjasukmana, Chris, Mechanische Verlebendigung. Ästhetische Erfahrung im Kino, Fink, Paderborn, 2014, 329 pp.
  • Tenório da Motta, Leda, Imagens que machucam. Notas sobre a poética da fotografia em Roland Barthes, “Paralaxe. Revista de Estética e Filosofia da Arte”, special issue - Linguagem Artística e Percepção Sensível (2014), pp. 21-29.
    Tenório da Motta, Leda, Imagens que machucam. Notas sobre a poética da fotografia em Roland Barthes, “Paralaxe. Revista de Estética e Filosofia da Arte”, special issue - Linguagem Artística e Percepção Sensível (2014), pp. 21-29.
    Tenório da Motta, Leda, Imagens que machucam. Notas sobre a poética da fotografia em Roland Barthes, “Paralaxe. Revista de Estética e Filosofia da Arte”, special issue - Linguagem Artística e Percepção Sensível (2014), pp. 21-29.
  • Terrone, Enrico, Che cosa esiste fuori dal testo?, “Rivista di Estetica” (Torino), n.s., LVII (2014/3), pp. 101-120.
    Terrone, Enrico, Che cosa esiste fuori dal testo?, “Rivista di Estetica” (Torino), n.s., LVII (2014/3), pp. 101-120.
    Terrone, Enrico, Che cosa esiste fuori dal testo?, “Rivista di Estetica” (Torino), n.s., LVII (2014/3), pp. 101-120.
  • Terrone, Enrico, The Digital Secret of the Moving Image, “Estetika: The Central European Journal of Aesthetics”, 51, New Series, VII (2014), pp. 21-41.
    Terrone, Enrico, The Digital Secret of the Moving Image, “Estetika: The Central European Journal of Aesthetics”, 51, New Series, VII (2014), pp. 21-41.
    Terrone, Enrico, The Digital Secret of the Moving Image, “Estetika: The Central European Journal of Aesthetics”, 51, New Series, VII (2014), pp. 21-41.
  • Thériault, Patrick, Le découpage citationnel comme fait d’écriture. Le cas Mallarmé, "Poétique", 176, 2014/2 (Le Seuil, Paris), pp. 261-279.
    Thériault, Patrick, Le découpage citationnel comme fait d’écriture. Le cas Mallarmé, "Poétique", 176, 2014/2 (Le Seuil, Paris), pp. 261-279.
    Thériault, Patrick, Le découpage citationnel comme fait d’écriture. Le cas Mallarmé, "Poétique", 176, 2014/2 (Le Seuil, Paris), pp. 261-279.
  • Thibaud, Jean-Paul, Urban Ambiances as Common Ground?, “Lebenswelt. Aesthetics and philosophy of experience”, (Milano), IV (2014), pp. 282-295.
    Thibaud, Jean-Paul, Urban Ambiances as Common Ground?, “Lebenswelt. Aesthetics and philosophy of experience”, (Milano), IV (2014), pp. 282-295.
    Thibaud, Jean-Paul, Urban Ambiances as Common Ground?, “Lebenswelt. Aesthetics and philosophy of experience”, (Milano), IV (2014), pp. 282-295.
  • Thivat, Patricia-Laure, Le Rêve au cinéma. L’image libérée ou la figure de l’invisible, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014
    Thivat, Patricia-Laure, Le Rêve au cinéma. L’image libérée ou la figure de l’invisible, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014
    Thivat, Patricia-Laure, Le Rêve au cinéma. L’image libérée ou la figure de l’invisible, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014
  • Thorsen, Bengerd Juul, Baumgarten’s “Meditationes” as a Commentary on Horace’s “Ars poetica”, “Philosophica”, 44 (2014), pp. 9-25.


    Thorsen, Bengerd Juul, Baumgarten’s “Meditationes” as a Commentary on Horace’s “Ars poetica”, “Philosophica”, 44 (2014), pp. 9-25.


    Thorsen, Bengerd Juul, Baumgarten’s “Meditationes” as a Commentary on Horace’s “Ars poetica”, “Philosophica”, 44 (2014), pp. 9-25.??
  • Tippnerová, Anja, Permanentní avantgarda? surrealismus v Praze [Avanguardia permanente? Il surrealismo a Praga], Academia, Praha, 2014, 423 pp.
    Tippnerová, Anja, Permanentní avantgarda? surrealismus v Praze [Avanguardia permanente? Il surrealismo a Praga], Academia, Praha, 2014, 423 pp.
    Tippnerová, Anja, Permanentní avantgarda? surrealismus v Praze [Avanguardia permanente? Il surrealismo a Praga], Academia, Praha, 2014, 423 pp.
  • Tröndle, Martin, Volker Kirchberg, Wolfgang Tschacher, Subtle Differences: Men And Women And Their Art Reception, “Journal Of Aesthetic Education”, 48.4 (2014), pp. 65-93.
    Tröndle, Martin, Volker Kirchberg, Wolfgang Tschacher, Subtle Differences: Men And Women And Their Art Reception, “Journal Of Aesthetic Education”, 48.4 (2014), pp. 65-93.
    Tröndle, Martin, Volker Kirchberg, Wolfgang Tschacher, Subtle Differences: Men And Women And Their Art Reception, “Journal Of Aesthetic Education”, 48.4 (2014), pp. 65-93.
  • Tralau, Johan, Deception, Politics And Aesthetics: The Importance Of Hobbes's Concept Of Metaphor, “Contemporary Political Theory”, 13.2 (2014), pp. 112-129.
    Tralau, Johan, Deception, Politics And Aesthetics: The Importance Of Hobbes's Concept Of Metaphor, “Contemporary Political Theory”, 13.2 (2014), pp. 112-129.
    Tralau, Johan, Deception, Politics And Aesthetics: The Importance Of Hobbes's Concept Of Metaphor, “Contemporary Political Theory”, 13.2 (2014), pp. 112-129.
  • Tratnik, Polona, Hacer la presencia: fotografía, arte y (bio)tecnología, Herder Editorial, Barcelona, 2014, 280 pp.
    Tratnik, Polona, Hacer la presencia: fotografía, arte y (bio)tecnología, Herder Editorial, Barcelona, 2014, 280 pp.
    Tratnik, Polona, Hacer la presencia: fotografía, arte y (bio)tecnología, Herder Editorial, Barcelona, 2014, 280 pp.
  • Trentini, Bruno, The Meta As An Aesthetic Category, “Journal Of Aesthetics And Culture”, 6, (2014), pp. e1-E8.
    Trentini, Bruno, The Meta As An Aesthetic Category, “Journal Of Aesthetics And Culture”, 6, (2014), pp. e1-E8.
    Trentini, Bruno, The Meta As An Aesthetic Category, “Journal Of Aesthetics And Culture”, 6, (2014), pp. e1-E8.
  • Tristan Trémeau, Des œuvres sans repos. Au sujet de l’œuvre de Bernard Guerbadot, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).
    Tristan Trémeau, Des œuvres sans repos. Au sujet de l’œuvre de Bernard Guerbadot, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).
    Tristan Trémeau, Des œuvres sans repos. Au sujet de l’œuvre de Bernard Guerbadot, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).