R

  • Régis, Sonia, Percepção e mediação pictórica, “Paralaxe. Revista de Estética e Filosofia da Arte”, special issue - Linguagem Artística e Percepção Sensível (2014), pp. 45-63.
    Régis, Sonia, Percepção e mediação pictórica, “Paralaxe. Revista de Estética e Filosofia da Arte”, special issue - Linguagem Artística e Percepção Sensível (2014), pp. 45-63.
    Régis, Sonia, Percepção e mediação pictórica, “Paralaxe. Revista de Estética e Filosofia da Arte”, special issue - Linguagem Artística e Percepção Sensível (2014), pp. 45-63.
  • Ramírez, José Luis, El conocimiento de la retórica y la retórica del conocimiento. Un reto para el siglo XXI, “Utopía y praxis latinoamericana” (Venezuela), Vol. 19, Num. 65, 2014, pp. 37-51.
    Ramírez, José Luis, El conocimiento de la retórica y la retórica del conocimiento. Un reto para el siglo XXI, “Utopía y praxis latinoamericana” (Venezuela), Vol. 19, Num. 65, 2014, pp. 37-51.
    Ramírez, José Luis, El conocimiento de la retórica y la retórica del conocimiento. Un reto para el siglo XXI, “Utopía y praxis latinoamericana” (Venezuela), Vol. 19, Num. 65, 2014, pp. 37-51.
  • Ramírez-Vidal, Gerardo, La retórica como doctrina de la comunicación eficaz, “La colmena” (México), N. 81, 2014, pp. 9-14.
    Ramírez-Vidal, Gerardo, La retórica como doctrina de la comunicación eficaz, “La colmena” (México), N. 81, 2014, pp. 9-14.
    Ramírez-Vidal, Gerardo, La retórica como doctrina de la comunicación eficaz, “La colmena” (México), N. 81, 2014, pp. 9-14.
  • Rambeau, Frédéric, L’endurance de l’immanence, Images du corps et corps des images chez Deleuze, "Nouvelle revue d’esthétique", 13, 2014, pp. 79-89.
    Rambeau, Frédéric, L’endurance de l’immanence, Images du corps et corps des images chez Deleuze, "Nouvelle revue d’esthétique", 13, 2014, pp. 79-89.
    Rambeau, Frédéric, L’endurance de l’immanence, Images du corps et corps des images chez Deleuze, "Nouvelle revue d’esthétique", 13, 2014, pp. 79-89.
  • Ramond, Charles, Un sentiment moral à l’épreuve de l’artialisation. Sentiment d’Injustice et Chanson Populaire, "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 47-56.
    Ramond, Charles, Un sentiment moral à l’épreuve de l’artialisation. Sentiment d’Injustice et Chanson Populaire, "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 47-56.
    Ramond, Charles, Un sentiment moral à l’épreuve de l’artialisation. Sentiment d’Injustice et Chanson Populaire, "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 47-56.
  • Rancière, Jacques, Le fil perdu. Essais sur la fiction moderne, La Fabrique Éditions, Paris, 2014, 152 pp.
    Rancière, Jacques, Le fil perdu. Essais sur la fiction moderne, La Fabrique Éditions, Paris, 2014, 152 pp.
    Rancière, Jacques, Le fil perdu. Essais sur la fiction moderne, La Fabrique Éditions, Paris, 2014, 152 pp.
  • Rasche, Michael, Kontiguität und Similarität der poetischen Sprache der Antike, “Bochumer Philosophisches Jahrbuch für Antike und Mittelalter” (Bochum), 17 (2014), pp. 1-26.
    Rasche, Michael, Kontiguität und Similarität der poetischen Sprache der Antike, “Bochumer Philosophisches Jahrbuch für Antike und Mittelalter” (Bochum), 17 (2014), pp. 1-26.
    Rasche, Michael, Kontiguität und Similarität der poetischen Sprache der Antike, “Bochumer Philosophisches Jahrbuch für Antike und Mittelalter” (Bochum), 17 (2014), pp. 1-26.
  • Raspa, Venanzio, L'estetica dimenticata: la vicenda della scuola di Graz, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 217-252.
    Raspa, Venanzio, L'estetica dimenticata: la vicenda della scuola di Graz, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 217-252.
    Raspa, Venanzio, L'estetica dimenticata: la vicenda della scuola di Graz, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 217-252.
  • Rauh, Andreas, On the Ethical-aesthetic Potentials of Special Atmospheres, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 246-281.
    Rauh, Andreas, On the Ethical-aesthetic Potentials of Special Atmospheres, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 246-281.
    Rauh, Andreas, On the Ethical-aesthetic Potentials of Special Atmospheres, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 246-281.
  • Raunig, Gerald, Singers, Cynics, Molecular Mice: The Political Aesthetics Of Contemporary Activism, “Theory, Culture And Society”, 31, 7-8 (2014), pp. 67-80.
    Raunig, Gerald, Singers, Cynics, Molecular Mice: The Political Aesthetics Of Contemporary Activism, “Theory, Culture And Society”, 31, 7-8 (2014), pp. 67-80.
    Raunig, Gerald, Singers, Cynics, Molecular Mice: The Political Aesthetics Of Contemporary Activism, “Theory, Culture And Society”, 31, 7-8 (2014), pp. 67-80.
  • Rayment, Andrew, Fantasy, Politics, Postmodernity: Pratchett, Pullman, Miéville and Stories of the Eye, Rodopi, Amsterdam, 276 pp.
    Rayment, Andrew, Fantasy, Politics, Postmodernity: Pratchett, Pullman, Miéville and Stories of the Eye, Rodopi, Amsterdam, 276 pp.
    Rayment, Andrew, Fantasy, Politics, Postmodernity: Pratchett, Pullman, Miéville and Stories of the Eye, Rodopi, Amsterdam, 276 pp.
  • Reck, Hans Ulrich, “Kreativität”: ein Thema und Problem der abendländische Philosophie, “Allgemeine Zeitschrift für Philosophie” (Hildesheim), 39, 2 (2014), pp. 215-223.
    Reck, Hans Ulrich, “Kreativität”: ein Thema und Problem der abendländische Philosophie, “Allgemeine Zeitschrift für Philosophie” (Hildesheim), 39, 2 (2014), pp. 215-223.
    Reck, Hans Ulrich, “Kreativität”: ein Thema und Problem der abendländische Philosophie, “Allgemeine Zeitschrift für Philosophie” (Hildesheim), 39, 2 (2014), pp. 215-223.
  • Recki, Birgit, Kunst als symbolische Form. Ernst Cassirers ästhetische Theorie, Transcipt, Bielefeld, 2014, 240 pp.
    Recki, Birgit, Kunst als symbolische Form. Ernst Cassirers ästhetische Theorie, Transcipt, Bielefeld, 2014, 240 pp.
    Recki, Birgit, Kunst als symbolische Form. Ernst Cassirers ästhetische Theorie, Transcipt, Bielefeld, 2014, 240 pp.
  • Reeves, Joshua, Ethan Stoneman, Heidegger And The Aesthetics Of Rhetoric, “Philosophy And Rhetoric”, 47, 2 (2014), pp. 137-157.
    Reeves, Joshua, Ethan Stoneman, Heidegger And The Aesthetics Of Rhetoric, “Philosophy And Rhetoric”, 47, 2 (2014), pp. 137-157.
    Reeves, Joshua, Ethan Stoneman, Heidegger And The Aesthetics Of Rhetoric, “Philosophy And Rhetoric”, 47, 2 (2014), pp. 137-157.
  • Rella, Franco, La forma del vuoto, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 3-14.
    Rella, Franco, La forma del vuoto, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 3-14.
    Rella, Franco, La forma del vuoto, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 3-14.
  • Repp, Charles, Justification From Fictional Narratives, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 25-44.
    Repp, Charles, Justification From Fictional Narratives, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 25-44.
    Repp, Charles, Justification From Fictional Narratives, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 25-44.
  • Reverzy, Eléonore, Zola: territoires du roman, "Poétique", 176, 2014/2 (Le Seuil, Paris), pp. 179-192.
    Reverzy, Eléonore, Zola: territoires du roman, "Poétique", 176, 2014/2 (Le Seuil, Paris), pp. 179-192.
    Reverzy, Eléonore, Zola: territoires du roman, "Poétique", 176, 2014/2 (Le Seuil, Paris), pp. 179-192.
  • Ridley, Aaron, On The Musically Possible, “British Journal Of Aesthetics”, 54.1 (2014), pp. 1-14.
    Ridley, Aaron, On The Musically Possible, “British Journal Of Aesthetics”, 54.1 (2014), pp. 1-14.
    Ridley, Aaron, On The Musically Possible, “British Journal Of Aesthetics”, 54.1 (2014), pp. 1-14.
  • Rieber, Audrey, Penser l’art, penser l’histoire, L’Harmattan, Paris, 2014, 174 pp.
    Rieber, Audrey, Penser l’art, penser l’histoire, L’Harmattan, Paris, 2014, 174 pp.
    Rieber, Audrey, Penser l’art, penser l’histoire, L’Harmattan, Paris, 2014, 174 pp.
  • Rieusset-Lemarié, Isabelle, La puissance de la fiction à la recherche de la joie spinozienne, "Nouvelle revue d’esthétique", 13, 2014, pp. 91-110.
    Rieusset-Lemarié, Isabelle, La puissance de la fiction à la recherche de la joie spinozienne, "Nouvelle revue d’esthétique", 13, 2014, pp. 91-110.
    Rieusset-Lemarié, Isabelle, La puissance de la fiction à la recherche de la joie spinozienne, "Nouvelle revue d’esthétique", 13, 2014, pp. 91-110.
  • Rimmele, Marius, a cura di, Bildwissenschaft und visual culture, Transcript, Bielefeld, 2014, 346 pp.
    Rimmele, Marius, a cura di, Bildwissenschaft und visual culture, Transcript, Bielefeld, 2014, 346 pp.
    Rimmele, Marius, a cura di, Bildwissenschaft und visual culture, Transcript, Bielefeld, 2014, 346 pp.
  • Rings, Michael, Covers And (Mere?) Remakes: A Reply To Lee B. Brown, “Journal Of Aesthetics And Art Criticism”, 72.2 (2014), pp. 195-199.
    Rings, Michael, Covers And (Mere?) Remakes: A Reply To Lee B. Brown, “Journal Of Aesthetics And Art Criticism”, 72.2 (2014), pp. 195-199.
    Rings, Michael, Covers And (Mere?) Remakes: A Reply To Lee B. Brown, “Journal Of Aesthetics And Art Criticism”, 72.2 (2014), pp. 195-199.
  • Rivera, Omar, Mariátegui’s Avant-Garde and Surrealism as Discipline, “Symposium: Canadian Journal of Continental Philosophy (Revue canadienne de philosophie continentale)”, 18 (2014), pp. 102-124.
    Rivera, Omar, Mariátegui’s Avant-Garde and Surrealism as Discipline, “Symposium: Canadian Journal of Continental Philosophy (Revue canadienne de philosophie continentale)”, 18 (2014), pp. 102-124.
    Rivera, Omar, Mariátegui’s Avant-Garde and Surrealism as Discipline, “Symposium: Canadian Journal of Continental Philosophy (Revue canadienne de philosophie continentale)”, 18 (2014), pp. 102-124.
  • Rivero Fernández, Mónica, a cura di, Filosofía y arte, Analecta Editorial, Pamplona, 2014, 338 pp.
    Rivero Fernández, Mónica, a cura di, Filosofía y arte, Analecta Editorial, Pamplona, 2014, 338 pp.
    Rivero Fernández, Mónica, a cura di, Filosofía y arte, Analecta Editorial, Pamplona, 2014, 338 pp.
  • Robinson, Jenefer, Aesthetic Disgust?, “Royal Institute Of Philosophy Supplement”, 75 (2014), pp. 51-84.
    Robinson, Jenefer, Aesthetic Disgust?, “Royal Institute Of Philosophy Supplement”, 75 (2014), pp. 51-84.
    Robinson, Jenefer, Aesthetic Disgust?, “Royal Institute Of Philosophy Supplement”, 75 (2014), pp. 51-84.
  • Robson, Jon, A Social Epistemology Of Aesthetics: Belief Polarization, Echo Chambers And Aesthetic Judgement, “Synthese: An International Journal For Epistemology, Methodology And Philosophy Of Science”, 191, 11 (2014), pp. 2513-2528.
    Robson, Jon, A Social Epistemology Of Aesthetics: Belief Polarization, Echo Chambers And Aesthetic Judgement, “Synthese: An International Journal For Epistemology, Methodology And Philosophy Of Science”, 191, 11 (2014), pp. 2513-2528.
    Robson, Jon, A Social Epistemology Of Aesthetics: Belief Polarization, Echo Chambers And Aesthetic Judgement, “Synthese: An International Journal For Epistemology, Methodology And Philosophy Of Science”, 191, 11 (2014), pp. 2513-2528.
  • Robson, Jon, Aesthetic Autonomy And Self-Aggrandisement, “Royal Institute Of Philosophy Supplement”, 75 (2014), pp. 3-28.
    Robson, Jon, Aesthetic Autonomy And Self-Aggrandisement, “Royal Institute Of Philosophy Supplement”, 75 (2014), pp. 3-28.
    Robson, Jon, Aesthetic Autonomy And Self-Aggrandisement, “Royal Institute Of Philosophy Supplement”, 75 (2014), pp. 3-28.
  • Robson, Mark Ian Thomas, Divine Maximal Beauty: A Reply To Jon Robson, “Religious Studies: An International Journal For The Philosophy Of Religion”, 50, 2 (2014), pp. 199-215.
    Robson, Mark Ian Thomas, Divine Maximal Beauty: A Reply To Jon Robson, “Religious Studies: An International Journal For The Philosophy Of Religion”, 50, 2 (2014), pp. 199-215.
    Robson, Mark Ian Thomas, Divine Maximal Beauty: A Reply To Jon Robson, “Religious Studies: An International Journal For The Philosophy Of Religion”, 50, 2 (2014), pp. 199-215.
  • Rodina, Elena, TvorĨestvo kak faktor sociokul’turnych iznenenij [La creazione come fattore di cambiamento socioculturale], MordGPI, Saransk, 2014, CD-Rom.
    Rodina, Elena, TvorĨestvo kak faktor sociokul’turnych iznenenij [La creazione come fattore di cambiamento socioculturale], MordGPI, Saransk, 2014, CD-Rom.
    Rodina, Elena, Tvorcestvo kak faktor sociokul’turnych iznenenij [La creazione come fattore di cambiamento socioculturale], MordGPI, Saransk, 2014, CD-Rom.
  • Rodríguez Alcalá, Ildefonso, El cine en Julián Marías: una exaltación estética y antropológica, Fundación Universitaria Española, Madrid, 2014, 360 pp.
    Rodríguez Alcalá, Ildefonso, El cine en Julián Marías: una exaltación estética y antropológica, Fundación Universitaria Española, Madrid, 2014, 360 pp.
    Rodríguez Alcalá, Ildefonso, El cine en Julián Marías: una exaltación estética y antropológica, Fundación Universitaria Española, Madrid, 2014, 360 pp.
  • Rodríguez Ruiz, Delfí, La casa de la metáforas: ensayos sobre la periferia de las artes y la arquitectura, Abada Editores, Madrid, 2014, 480 pp.
    Rodríguez Ruiz, Delfí, La casa de la metáforas: ensayos sobre la periferia de las artes y la arquitectura, Abada Editores, Madrid, 2014, 480 pp.
    Rodríguez Ruiz, Delfí, La casa de la metáforas: ensayos sobre la periferia de las artes y la arquitectura, Abada Editores, Madrid, 2014, 480 pp.
  • Roger Acuña, Santiago, Gabino Campos, María A., Martínez Lozano, Consuelo Patricia, a cura di, Multiculturalidad, imagen y nuevas tecnologías, Editorial Fragua, Madrid, 2014, 320 pp.
    Roger Acuña, Santiago, Gabino Campos, María A., Martínez Lozano, Consuelo Patricia, a cura di, Multiculturalidad, imagen y nuevas tecnologías, Editorial Fragua, Madrid, 2014, 320 pp.
    Roger Acuña, Santiago, Gabino Campos, María A., Martínez Lozano, Consuelo Patricia, a cura di, Multiculturalidad, imagen y nuevas tecnologías, Editorial Fragua, Madrid, 2014, 320 pp.
  • Rognerud, Hilde M. J., Nietzsche, zarathustrisch und geflügelt. Edvard Munchs Visionen eines Philosophen der Moderne, “Zeitschrift für Kunstgeschichte” (Hamburg), 771, 1 (2014), pp. 92-107.
    Rognerud, Hilde M. J., Nietzsche, zarathustrisch und geflügelt. Edvard Munchs Visionen eines Philosophen der Moderne, “Zeitschrift für Kunstgeschichte” (Hamburg), 771, 1 (2014), pp. 92-107.
    Rognerud, Hilde M. J., Nietzsche, zarathustrisch und geflügelt. Edvard Munchs Visionen eines Philosophen der Moderne, “Zeitschrift für Kunstgeschichte” (Hamburg), 771, 1 (2014), pp. 92-107.
  • Romero Higes, Manuel, La crisis de los medios de comunicación, Imcrea Diseño Editorial, Badajoz, 2014, 68 pp.
    Romero Higes, Manuel, La crisis de los medios de comunicación, Imcrea Diseño Editorial, Badajoz, 2014, 68 pp.
    Romero Higes, Manuel, La crisis de los medios de comunicación, Imcrea Diseño Editorial, Badajoz, 2014, 68 pp.
  • Rongier, Sébastien, Cavalier, Alain, L’engagement dans le film, “Recherches en Esthétique. Art et engagement”, 19, 2014 (Fort-de-France).
    Rongier, Sébastien, Cavalier, Alain, L’engagement dans le film, “Recherches en Esthétique. Art et engagement”, 19, 2014 (Fort-de-France).
    Rongier, Sébastien, Cavalier, Alain, L’engagement dans le film, “Recherches en Esthétique. Art et engagement”, 19, 2014 (Fort-de-France).
  • Rorty, Amelie, Dialogues With Paintings: Notes On How To Look And See, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 1-9.
    Rorty, Amelie, Dialogues With Paintings: Notes On How To Look And See, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 1-9.
    Rorty, Amelie, Dialogues With Paintings: Notes On How To Look And See, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 1-9.
  • Roselló Valle, José, El lenguaje de la imagen gráfica: arte, comunicación, creación, mensaje, Editorial Deputación de Pontevedra, Pontevedra, 2014, 242 p.
    Roselló Valle, José, El lenguaje de la imagen gráfica: arte, comunicación, creación, mensaje, Editorial Deputación de Pontevedra, Pontevedra, 2014, 242 p.
    Roselló Valle, José, El lenguaje de la imagen gráfica: arte, comunicación, creación, mensaje, Editorial Deputación de Pontevedra, Pontevedra, 2014, 242 p.
  • Rosenzvaig, Marcos, Breviario de estéticas teatrales, Biblos, Buenos Aires, 2014, 158 pp.
    Rosenzvaig, Marcos, Breviario de estéticas teatrales, Biblos, Buenos Aires, 2014, 158 pp.
    Rosenzvaig, Marcos, Breviario de estéticas teatrales, Biblos, Buenos Aires, 2014, 158 pp.
  • Rosker, Jana S., Ji Kang's Essay 'Music Has In It Neither Grief Nor Joy' And The Structure Of Perception, “Philosophy East And West”, 64, 1 (2014), pp. 109-122.
    Rosker, Jana S., Ji Kang's Essay 'Music Has In It Neither Grief Nor Joy' And The Structure Of Perception, “Philosophy East And West”, 64, 1 (2014), pp. 109-122.
    Rosker, Jana S., Ji Kang's Essay 'Music Has In It Neither Grief Nor Joy' And The Structure Of Perception, “Philosophy East And West”, 64, 1 (2014), pp. 109-122.
  • Ross Dinesen, Cort, Arkitekturtegningen som refleksion. Architectural drawing as reflection, Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conversation, København, 2014, 219 pp. [edizione danese-inglese].
    Ross Dinesen, Cort, Arkitekturtegningen som refleksion. Architectural drawing as reflection, Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conversation, København, 2014, 219 pp. [edizione danese-inglese].
    Ross Dinesen, Cort, Arkitekturtegningen som refleksion. Architectural drawing as reflection, Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conversation, København, 2014, 219 pp. [edizione danese-inglese].
  • Ross, Stephanie, When Critics Disagree: Prospects For Realism In Aesthetics, “Philosophical Quarterly”, 64, 257 (2014), pp. 590-618.
    Ross, Stephanie, When Critics Disagree: Prospects For Realism In Aesthetics, “Philosophical Quarterly”, 64, 257 (2014), pp. 590-618.
    Ross, Stephanie, When Critics Disagree: Prospects For Realism In Aesthetics, “Philosophical Quarterly”, 64, 257 (2014), pp. 590-618.
  • Roviró Alemany, Ignasi, Temas y claves de la estética actual, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 297-321.
    Roviró Alemany, Ignasi, Temas y claves de la estética actual, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 297-321.
    Roviró Alemany, Ignasi, Temas y claves de la estética actual, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 297-321.
  • Rozzoni, Claudio, Schermo o finestra? Spazi del possibile. Note per una considerazione husserliana dell'immagine filosofica, “Materiali di Estetica” (Milano), I (2014), pp. 7-22.
    Rozzoni, Claudio, Schermo o finestra? Spazi del possibile. Note per una considerazione husserliana dell'immagine filosofica, “Materiali di Estetica” (Milano), I (2014), pp. 7-22.
    Rozzoni, Claudio, Schermo o finestra? Spazi del possibile. Note per una considerazione husserliana dell'immagine filosofica, “Materiali di Estetica” (Milano), I (2014), pp. 7-22.
  • Ruby, Christian, Le spectateur désangagé de l’engagement. A partir de Gilles Deleuze, Jean-François Lyotard, Michel Foucault, Jacques Rancière, “Recherches en Esthétique. Art et engagement”, 19, 2014 (Fort-de-France).
    Ruby, Christian, Le spectateur désangagé de l’engagement. A partir de Gilles Deleuze, Jean-François Lyotard, Michel Foucault, Jacques Rancière, “Recherches en Esthétique. Art et engagement”, 19, 2014 (Fort-de-France).
    Ruby, Christian, Le spectateur désangagé de l’engagement. A partir de Gilles Deleuze, Jean-François Lyotard, Michel Foucault, Jacques Rancière, “Recherches en Esthétique. Art et engagement”, 19, 2014 (Fort-de-France).
  • Rue, Harald, Litteraturteori og metode [Teoria della letteratura e metodo], Reflect, Braband, 158 pp.
    Rue, Harald, Litteraturteori og metode [Teoria della letteratura e metodo], Reflect, Braband, 158 pp.
    Rue, Harald, Litteraturteori og metode [Teoria della letteratura e metodo], Reflect, Braband, 158 pp.
  • Russell, Matheson, The Politics Of The Third Person: Esposito's 'Third Person' And Rancière's 'Disagreement', “Critical Horizons: A Journal Of Philosophy And Social Theory”, 15, 3 (2014), pp. 211-230.
    Russell, Matheson, The Politics Of The Third Person: Esposito's 'Third Person' And Rancière's 'Disagreement', “Critical Horizons: A Journal Of Philosophy And Social Theory”, 15, 3 (2014), pp. 211-230.
    Russell, Matheson, The Politics Of The Third Person: Esposito's 'Third Person' And Rancière's 'Disagreement', “Critical Horizons: A Journal Of Philosophy And Social Theory”, 15, 3 (2014), pp. 211-230.
  • Russo, Dario, Oggetto d'arte quotidiana, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 109-117.
    Russo, Dario, Oggetto d'arte quotidiana, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 109-117.
    Russo, Dario, Oggetto d'arte quotidiana, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 109-117.
  • Russo, Maria Teresa, Di Stefano, Nicola, Post-Human Body and Beauty, “Cuadernos de Bioética”, 25 (2014), pp. 457-466.
    Russo, Maria Teresa, Di Stefano, Nicola, Post-Human Body and Beauty, “Cuadernos de Bioética”, 25 (2014), pp. 457-466.
    Russo, Maria Teresa, Di Stefano, Nicola, Post-Human Body and Beauty, “Cuadernos de Bioética”, 25 (2014), pp. 457-466.
  • Ryan, John Charles, The Transformation Of Archival Philosophy And Practice Through Digital Art, “Philosophy Study”, 4.5 (2014), pp. 373-390.
    Ryan, John Charles, The Transformation Of Archival Philosophy And Practice Through Digital Art, “Philosophy Study”, 4.5 (2014), pp. 373-390.
    Ryan, John Charles, The Transformation Of Archival Philosophy And Practice Through Digital Art, “Philosophy Study”, 4.5 (2014), pp. 373-390.