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  • O’Brien, Paul, Aesthetics, Virtual Reality and the Environment, “Teoria: Rivista di Filosofia”, 34, Terza serie, IX (2014), pp. 139-156.
    O’Brien, Paul, Aesthetics, Virtual Reality and the Environment, “Teoria: Rivista di Filosofia”, 34, Terza serie, IX (2014), pp. 139-156.
    O’Brien, Paul, Aesthetics, Virtual Reality and the Environment, “Teoria: Rivista di Filosofia”, 34, Terza serie, IX (2014), pp. 139-156.
  • O'Meara, Dominic J., The Beauty Of The World In Plato's 'Timaeus', “Schole: Ancient Philosophy And The Classical Tradition”, 8.1 (2014), pp. 24-33.
    O'Meara, Dominic J., The Beauty Of The World In Plato's 'Timaeus', “Schole: Ancient Philosophy And The Classical Tradition”, 8.1 (2014), pp. 24-33.
    O'Meara, Dominic J., The Beauty Of The World In Plato's 'Timaeus', “Schole: Ancient Philosophy And The Classical Tradition”, 8.1 (2014), pp. 24-33.
  • Obert, Mathias, Leibliche Mimesis in der Kunsttheorie zwischen China und dem Abendland, “Allgemeine Zeitschrift für Philosophie“ (Hildesheim), 39, 3 (2014), pp. 251-279.
    Obert, Mathias, Leibliche Mimesis in der Kunsttheorie zwischen China und dem Abendland, “Allgemeine Zeitschrift für Philosophie“ (Hildesheim), 39, 3 (2014), pp. 251-279.
    Obert, Mathias, Leibliche Mimesis in der Kunsttheorie zwischen China und dem Abendland, “Allgemeine Zeitschrift für Philosophie“ (Hildesheim), 39, 3 (2014), pp. 251-279.
  • Oda, Yoshiko, Yoshitaka Kondo, The Concept Of 'Yuko-Datotsu' In Kendo: Interpreted From The Aesthetics Of 'Zanshin', “Sport, Ethics And Philosophy (Official Journal Of The British Philosophy Of Sport Association)”, 8, 1 (2014), pp. 3-15.
    Oda, Yoshiko, Yoshitaka Kondo, The Concept Of 'Yuko-Datotsu' In Kendo: Interpreted From The Aesthetics Of 'Zanshin', “Sport, Ethics And Philosophy (Official Journal Of The British Philosophy Of Sport Association)”, 8, 1 (2014), pp. 3-15.
    Oda, Yoshiko, Yoshitaka Kondo, The Concept Of 'Yuko-Datotsu' In Kendo: Interpreted From The Aesthetics Of 'Zanshin', “Sport, Ethics And Philosophy (Official Journal Of The British Philosophy Of Sport Association)”, 8, 1 (2014), pp. 3-15.
  • Olariu, Dominic, La genèse de la représentation ressemblante de l’homme. Reconsidérations du portrait à partir du XIIIe siècle, Peter Lang, Berne, 2014, 602 pp.
    Olariu, Dominic, La genèse de la représentation ressemblante de l’homme. Reconsidérations du portrait à partir du XIIIe siècle, Peter Lang, Berne, 2014, 602 pp.
    Olariu, Dominic, La genèse de la représentation ressemblante de l’homme. Reconsidérations du portrait à partir du XIIIe siècle, Peter Lang, Berne, 2014, 602 pp.
  • Oliveira, Bernardo Barros Coelho, Heidegger, Benjamin e a obre arte como experiência, “Viso. Cadernos de estética aplicada”, 15 (2014), s.p.
    Oliveira, Bernardo Barros Coelho, Heidegger, Benjamin e a obre arte como experiência, “Viso. Cadernos de estética aplicada”, 15 (2014), s.p.
    Oliveira, Bernardo Barros Coelho, Heidegger, Benjamin e a obre arte como experiência, “Viso. Cadernos de estética aplicada”, 15 (2014), s.p.
  • Oliver, Amy A., Context and Kant in the Aesthetics of José Enrique Rodó and Samuel Ramos, “Symposium: Canadian Journal of Continental Philosophy (Revue canadienne de philosophie continentale)”, 18 (2014), pp. 65-76.
    Oliver, Amy A., Context and Kant in the Aesthetics of José Enrique Rodó and Samuel Ramos, “Symposium: Canadian Journal of Continental Philosophy (Revue canadienne de philosophie continentale)”, 18 (2014), pp. 65-76.
    Oliver, Amy A., Context and Kant in the Aesthetics of José Enrique Rodó and Samuel Ramos, “Symposium: Canadian Journal of Continental Philosophy (Revue canadienne de philosophie continentale)”, 18 (2014), pp. 65-76.
  • Oliverio, Alberto, Che cosa significa desiderare?, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 55-68.
    Oliverio, Alberto, Che cosa significa desiderare?, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 55-68.
    Oliverio, Alberto, Che cosa significa desiderare?, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 55-68.
  • Ortiz-Echagüe Trujillano, Javier, Yuri Gagarin y el conde de Orgaz: mística y estética de la era espacial, Fundación Museo Jorge Oteiza, Alzuza, 2014, 230 pp.
    Ortiz-Echagüe Trujillano, Javier, Yuri Gagarin y el conde de Orgaz: mística y estética de la era espacial, Fundación Museo Jorge Oteiza, Alzuza, 2014, 230 pp.
    Ortiz-Echagüe Trujillano, Javier, Yuri Gagarin y el conde de Orgaz: mística y estética de la era espacial, Fundación Museo Jorge Oteiza, Alzuza, 2014, 230 pp.
  • Ovejero Lucas, Félix, El compromiso del creador: ética de la estética, Galaxia Gutenberg, Barcelona, 2014, 447 pp.
    Ovejero Lucas, Félix, El compromiso del creador: ética de la estética, Galaxia Gutenberg, Barcelona, 2014, 447 pp.
    Ovejero Lucas, Félix, El compromiso del creador: ética de la estética, Galaxia Gutenberg, Barcelona, 2014, 447 pp.
  • Overhoff Ferreira, Carolin, The End of History through the Disclosure of Fiction: Indisciplinarity in Miguel Gomes’s “Tabu” (2012), “Cinema: Journal of Philosophy and the Moving Image”, 5 (2014), pp. 18-47.
    Overhoff Ferreira, Carolin, The End of History through the Disclosure of Fiction: Indisciplinarity in Miguel Gomes’s “Tabu” (2012), “Cinema: Journal of Philosophy and the Moving Image”, 5 (2014), pp. 18-47.
    Overhoff Ferreira, Carolin, The End of History through the Disclosure of Fiction: Indisciplinarity in Miguel Gomes’s “Tabu” (2012), “Cinema: Journal of Philosophy and the Moving Image”, 5 (2014), pp. 18-47.
  • Ozerova, Elena, Kognitivno-diskursivnye strategii teorii stilistiki [Strategie cognitivo-discorsive di una teoria della stilistica], BelGU, Belgorod, 2014, 66 pp.
    Ozerova, Elena, Kognitivno-diskursivnye strategii teorii stilistiki [Strategie cognitivo-discorsive di una teoria della stilistica], BelGU, Belgorod, 2014, 66 pp.
    Ozerova, Elena, Kognitivno-diskursivnye strategii teorii stilistiki [Strategie cognitivo-discorsive di una teoria della stilistica], BelGU, Belgorod, 2014, 66 pp.