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  • Nagib, Lúcia, Tempo, magnitude e o mito do cinema moderno, “Aniki”, 1 (2014), pp. 8-21.
    Nagib, Lúcia, Tempo, magnitude e o mito do cinema moderno, “Aniki”, 1 (2014), pp. 8-21.
    Nagib, Lúcia, Tempo, magnitude e o mito do cinema moderno, “Aniki”, 1 (2014), pp. 8-21.
  • Nakamura, Tomoe, The Cognitive and Ethical Scope of “Confusion” in Baumgarten’s Aesthetics, “Philosophica”, 44 (2014), pp. 27-46.
    Nakamura, Tomoe, The Cognitive and Ethical Scope of “Confusion” in Baumgarten’s Aesthetics, “Philosophica”, 44 (2014), pp. 27-46.
    Nakamura, Tomoe, The Cognitive and Ethical Scope of “Confusion” in Baumgarten’s Aesthetics, “Philosophica”, 44 (2014), pp. 27-46.
  • Nake, Frieder, We Find the Aesthetics in Between: A Remark on Algorithmic Art, “Zeitschrift fuer Aesthetik und allgemeine Kunstwissenschaft”, 59 (2014), pp. 287-288.
    Nake, Frieder, We Find the Aesthetics in Between: A Remark on Algorithmic Art, “Zeitschrift fuer Aesthetik und allgemeine Kunstwissenschaft”, 59 (2014), pp. 287-288.
    Nake, Frieder, We Find the Aesthetics in Between: A Remark on Algorithmic Art, “Zeitschrift fuer Aesthetik und allgemeine Kunstwissenschaft”, 59 (2014), pp. 287-288.
  • Nannicelli, Ted, Moderate Comic Immoralism And The Genetic Approach To The Ethical Criticism Of Art, “Journal Of Aesthetics And Art Criticism”, 72, 2 (2014), pp. 169-179.
    Nannicelli, Ted, Moderate Comic Immoralism And The Genetic Approach To The Ethical Criticism Of Art, “Journal Of Aesthetics And Art Criticism”, 72, 2 (2014), pp. 169-179.
    Nannicelli, Ted, Moderate Comic Immoralism And The Genetic Approach To The Ethical Criticism Of Art, “Journal Of Aesthetics And Art Criticism”, 72, 2 (2014), pp. 169-179.
  • Napier, Ryan, Putting The 'Pain' In Painting: A Conceptualization And Consideration Of Serious Art, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 45-53.
    Napier, Ryan, Putting The 'Pain' In Painting: A Conceptualization And Consideration Of Serious Art, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 45-53.
    Napier, Ryan, Putting The 'Pain' In Painting: A Conceptualization And Consideration Of Serious Art, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 45-53.
  • Natário, Maria Celeste, Epifânio, Renato, Cunha Bezerra, Cícero, a cura di, (Im)possíveis (Trans)posições: Ensaios sobre Filosofia, Literatura e Cinema, Zéfiro, Sintra, 274 pp.
    Natário, Maria Celeste, Epifânio, Renato, Cunha Bezerra, Cícero, a cura di, (Im)possíveis (Trans)posições: Ensaios sobre Filosofia, Literatura e Cinema, Zéfiro, Sintra, 274 pp.
    Natário, Maria Celeste, Epifânio, Renato, Cunha Bezerra, Cícero, a cura di, (Im)possíveis (Trans)posições: Ensaios sobre Filosofia, Literatura e Cinema, Zéfiro, Sintra, 274 pp.
  • Naukkarinen, Ossi, Everyday Aesthetic Practices, Ethics and Tact, “Aisthesis: Pratiche, linguaggi e saperi dell'estetico”, 7 (2014), pp. 23-44.
    Naukkarinen, Ossi, Everyday Aesthetic Practices, Ethics and Tact, “Aisthesis: Pratiche, linguaggi e saperi dell'estetico”, 7 (2014), pp. 23-44.
    Naukkarinen, Ossi, Everyday Aesthetic Practices, Ethics and Tact, “Aisthesis: Pratiche, linguaggi e saperi dell'estetico”, 7 (2014), pp. 23-44.
  • Nemo, Philippe, Esthétique de la liberté, PUF, Paris, 208 pp.
    Nemo, Philippe, Esthétique de la liberté, PUF, Paris, 208 pp.
    Nemo, Philippe, Esthétique de la liberté, PUF, Paris, 208 pp.
  • Netzwerk Bildphilosophie, a cura di, Bild und Methode. Theoretische Hintergründe und methodische Verfahren der Bildwissenschaft, Herbert von Halem, Köln, 2014, 516 pp.
    Netzwerk Bildphilosophie, a cura di, Bild und Methode. Theoretische Hintergründe und methodische Verfahren der Bildwissenschaft, Herbert von Halem, Köln, 2014, 516 pp.
    Netzwerk Bildphilosophie, a cura di, Bild und Methode. Theoretische Hintergründe und methodische Verfahren der Bildwissenschaft, Herbert von Halem, Köln, 2014, 516 pp.
  • Neuber, Simone, Morally Corrupt Aesthetic Pleasure?, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 90-107.
    Neuber, Simone, Morally Corrupt Aesthetic Pleasure?, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 90-107.
    Neuber, Simone, Morally Corrupt Aesthetic Pleasure?, “Journal Of Aesthetic Education”, 48, 1 (2014), pp. 90-107.
  • Newall, Michael, Painting And Philosophy, “Philosophy Compass”, 9, 4 (2014), pp. 225-237.
    Newall, Michael, Painting And Philosophy, “Philosophy Compass”, 9, 4 (2014), pp. 225-237.
    Newall, Michael, Painting And Philosophy, “Philosophy Compass”, 9, 4 (2014), pp. 225-237.
  • Newski, Sergej, Der unruhige Beobachter. Zur Soziologie und Ästhetik der Neuen Musik in Russland 1989-2014, “Österreichische Musikzeitschrift” (Wien), 69, 5 (2014), pp. 7-17.
    Newski, Sergej, Der unruhige Beobachter. Zur Soziologie und Ästhetik der Neuen Musik in Russland 1989-2014, “Österreichische Musikzeitschrift” (Wien), 69, 5 (2014), pp. 7-17.
    Newski, Sergej, Der unruhige Beobachter. Zur Soziologie und Ästhetik der Neuen Musik in Russland 1989-2014, “Österreichische Musikzeitschrift” (Wien), 69, 5 (2014), pp. 7-17.
  • Niederle, Rostislav, Pojmy estetiky: analytický přístup, [Nozioni di estetica: un approccio analitico], Masarykova univerzita, Brno,2014, 158 pp.
    Niederle, Rostislav, Pojmy estetiky: analytický přístup, [Nozioni di estetica: un approccio analitico], Masarykova univerzita, Brno,2014, 158 pp.
    Niederle, Rostislav, Pojmy estetiky: analytický prístup, [Nozioni di estetica: un approccio analitico], Masarykova univerzita, Brno,2014, 158 pp.
  • Nielsen, Henrik Kaare, Æstetik og politisk offentlighed [Estetica e opinione pubblica politica], Klim, Aarhus, 2014, 233 pp.
    Nielsen, Henrik Kaare, Æstetik og politisk offentlighed [Estetica e opinione pubblica politica], Klim, Aarhus, 2014, 233 pp.
    Nielsen, Henrik Kaare, Æstetik og politisk offentlighed [Estetica e opinione pubblica politica], Klim, Aarhus, 2014, 233 pp.
  • Niiniluoto, Ilkka, Representation And Truthlikeness, “Foundations Of Science”, 19, 4 (2014), pp. 375-379.
    Niiniluoto, Ilkka, Representation And Truthlikeness, “Foundations Of Science”, 19, 4 (2014), pp. 375-379.
    Niiniluoto, Ilkka, Representation And Truthlikeness, “Foundations Of Science”, 19, 4 (2014), pp. 375-379.
  • Nilsson, Jakob, Thought-Images And The New As A Rarity: A Reevaluation Of The Philosophical Implications Of Deleuze's 'Cinema' Books, “Cinema: Journal Of Philosophy And The Moving Image”, 6, (2014), pp. 94-121.
    Nilsson, Jakob, Thought-Images And The New As A Rarity: A Reevaluation Of The Philosophical Implications Of Deleuze's 'Cinema' Books, “Cinema: Journal Of Philosophy And The Moving Image”, 6, (2014), pp. 94-121.
    Nilsson, Jakob, Thought-Images And The New As A Rarity: A Reevaluation Of The Philosophical Implications Of Deleuze's 'Cinema' Books, “Cinema: Journal Of Philosophy And The Moving Image”, 6, (2014), pp. 94-121.
  • Noys, Benjamin, The Art Of The Absolute: Relations, Objects, And Immanence, “Angelaki: Journal Of The Theoretical Humanities”, 19.1 (2014), pp. 173-185.
    Noys, Benjamin, The Art Of The Absolute: Relations, Objects, And Immanence, “Angelaki: Journal Of The Theoretical Humanities”, 19.1 (2014), pp. 173-185.
    Noys, Benjamin, The Art Of The Absolute: Relations, Objects, And Immanence, “Angelaki: Journal Of The Theoretical Humanities”, 19.1 (2014), pp. 173-185.