M

  • Männlein-Robert, Irmgard, Schmerz und Schrei: Sophokles' Philoktet als Grenzfall der Ästhetik in Antike und Moderne, “Antike und Abendland” (Bern), 60, 1 (2014), pp. 90-112.
    Männlein-Robert, Irmgard, Schmerz und Schrei: Sophokles' Philoktet als Grenzfall der Ästhetik in Antike und Moderne, “Antike und Abendland” (Bern), 60, 1 (2014), pp. 90-112.
    Männlein-Robert, Irmgard, Schmerz und Schrei: Sophokles' Philoktet als Grenzfall der Ästhetik in Antike und Moderne, “Antike und Abendland” (Bern), 60, 1 (2014), pp. 90-112.
  • Méndez Gallardo, Mariana, Educar la sensibilidad estética. Entrevista con fray Gabriel Chávez de la Mora, “Artes de México” (México), N. 115, 2014, pp. 40-43.
    Méndez Gallardo, Mariana, Educar la sensibilidad estética. Entrevista con fray Gabriel Chávez de la Mora, “Artes de México” (México), N. 115, 2014, pp. 40-43.
    Méndez Gallardo, Mariana, Educar la sensibilidad estética. Entrevista con fray Gabriel Chávez de la Mora, “Artes de México” (México), N. 115, 2014, pp. 40-43.
  • Méndez Gallardo, Mariana, Estética de lo invisible. El estatuto de la imagen en el pensamiento antiguo, “Estudios” (México), Vol. 12, N. 111, 2014, pp. 121-131.
    Méndez Gallardo, Mariana, Estética de lo invisible. El estatuto de la imagen en el pensamiento antiguo, “Estudios” (México), Vol. 12, N. 111, 2014, pp. 121-131.
    Méndez Gallardo, Mariana, Estética de lo invisible. El estatuto de la imagen en el pensamiento antiguo, “Estudios” (México), Vol. 12, N. 111, 2014, pp. 121-131.
  • Möller, Melanie, Das Spiel mit der Zeit: Beobachtungen zur agonalen Struktur in den ‚Alters‘-Elegien des Mimnermos und des Solon, “Philologus” (Berlin), 158, 1 (2014), pp. 26-52.
    Möller, Melanie, Das Spiel mit der Zeit: Beobachtungen zur agonalen Struktur in den ‚Alters‘-Elegien des Mimnermos und des Solon, “Philologus” (Berlin), 158, 1 (2014), pp. 26-52.
    Möller, Melanie, Das Spiel mit der Zeit: Beobachtungen zur agonalen Struktur in den ‚Alters‘-Elegien des Mimnermos und des Solon, “Philologus” (Berlin), 158, 1 (2014), pp. 26-52.
  • Müller, Heidi, Welche Bedeutung hat Kunst für sterbende oder trauernde Menschen?, “Leidfaden” (Göttingen), 3, 2 (2014), pp. 98-100.
    Müller, Heidi, Welche Bedeutung hat Kunst für sterbende oder trauernde Menschen?, “Leidfaden” (Göttingen), 3, 2 (2014), pp. 98-100.
    Müller, Heidi, Welche Bedeutung hat Kunst für sterbende oder trauernde Menschen?, “Leidfaden” (Göttingen), 3, 2 (2014), pp. 98-100.
  • Müller-Tamm, Jutta, a cura di, Gefühl und Genauigkeit. Empirische Ästhetik um 1900, Fink, Paderborn, 2014, 213 pp.
    Müller-Tamm, Jutta, a cura di, Gefühl und Genauigkeit. Empirische Ästhetik um 1900, Fink, Paderborn, 2014, 213 pp.
    Müller-Tamm, Jutta, a cura di, Gefühl und Genauigkeit. Empirische Ästhetik um 1900, Fink, Paderborn, 2014, 213 pp.
  • Małecki, Wojciech, a cura di, Practicing Pragmatist Aesthetics: Critical Perspectives on the Arts, Rodopi, Amsterdam, 2014, 224 pp.
    Małecki, Wojciech, a cura di, Practicing Pragmatist Aesthetics: Critical Perspectives on the Arts, Rodopi, Amsterdam, 2014, 224 pp.
    Ma?ecki, Wojciech, a cura di, Practicing Pragmatist Aesthetics: Critical Perspectives on the Arts, Rodopi, Amsterdam, 2014, 224 pp.
  • Mach, Philippe, Ethics And Aesthetics: Reuniting The Siamese Twins, “Monist: An International Quarterly Journal Of General Philosophical Inquiry”, 97, 1 (2014), pp. 122-137.
    Mach, Philippe, Ethics And Aesthetics: Reuniting The Siamese Twins, “Monist: An International Quarterly Journal Of General Philosophical Inquiry”, 97, 1 (2014), pp. 122-137.
    Mach, Philippe, Ethics And Aesthetics: Reuniting The Siamese Twins, “Monist: An International Quarterly Journal Of General Philosophical Inquiry”, 97, 1 (2014), pp. 122-137.
  • Maduka, Chukwugozie, Preserving The Benin City Moats: The Interaction Of Indigenous And Urban Environmental Values And Aesthetics, “Environmental Ethics: An Interdisciplinary Journal Dedicated To The Philosophical Aspects Of Environmental Problems”, 36, 1 (2014), pp. 83-106.
    Maduka, Chukwugozie, Preserving The Benin City Moats: The Interaction Of Indigenous And Urban Environmental Values And Aesthetics, “Environmental Ethics: An Interdisciplinary Journal Dedicated To The Philosophical Aspects Of Environmental Problems”, 36, 1 (2014), pp. 83-106.
    Maduka, Chukwugozie, Preserving The Benin City Moats: The Interaction Of Indigenous And Urban Environmental Values And Aesthetics, “Environmental Ethics: An Interdisciplinary Journal Dedicated To The Philosophical Aspects Of Environmental Problems”, 36, 1 (2014), pp. 83-106.
  • Mahon, Áine, Achieving Their Country: Richard Rorty And Jonathan Franzen, “Philosophy And Literature”, 38, 1 (2014), pp. 90-109.
    Mahon, Áine, Achieving Their Country: Richard Rorty And Jonathan Franzen, “Philosophy And Literature”, 38, 1 (2014), pp. 90-109.
    Mahon, Áine, Achieving Their Country: Richard Rorty And Jonathan Franzen, “Philosophy And Literature”, 38, 1 (2014), pp. 90-109.
  • Maloy Hall, Joshua, Reattaching Shadows: Dancing With Schopenhauer, “Phaenex: Journal Of Existential And Phenomenological Theory And Culture”, 9, 1 (2014), pp. 1-28.
    Maloy Hall, Joshua, Reattaching Shadows: Dancing With Schopenhauer, “Phaenex: Journal Of Existential And Phenomenological Theory And Culture”, 9, 1 (2014), pp. 1-28.
    Maloy Hall, Joshua, Reattaching Shadows: Dancing With Schopenhauer, “Phaenex: Journal Of Existential And Phenomenological Theory And Culture”, 9, 1 (2014), pp. 1-28.
  • Mangan, Bruce, Meaning, God, Volition, And Art: How Rightness And The Fringe Bring It All Together, “Journal Of Consciousness Studies”, 21, 3-4 (2014), pp. 154-176.
    Mangan, Bruce, Meaning, God, Volition, And Art: How Rightness And The Fringe Bring It All Together, “Journal Of Consciousness Studies”, 21, 3-4 (2014), pp. 154-176.
    Mangan, Bruce, Meaning, God, Volition, And Art: How Rightness And The Fringe Bring It All Together, “Journal Of Consciousness Studies”, 21, 3-4 (2014), pp. 154-176.
  • Manning, Luke, Real Representation Of Fictional Objects, “Journal Of Aesthetics And Art Criticism”, 72, 1 (2014), pp. 13-24.
    Manning, Luke, Real Representation Of Fictional Objects, “Journal Of Aesthetics And Art Criticism”, 72, 1 (2014), pp. 13-24.
    Manning, Luke, Real Representation Of Fictional Objects, “Journal Of Aesthetics And Art Criticism”, 72, 1 (2014), pp. 13-24.
  • Mansurov, Evgenij, Psichologija tvorčestva [Psicologia della creazione], Algoritm, Moskva, 2014, 446 pp.
    Mansurov, Evgenij, Psichologija tvorčestva [Psicologia della creazione], Algoritm, Moskva, 2014, 446 pp.
    Mansurov, Evgenij, Psichologija tvorcestva [Psicologia della creazione], Algoritm, Moskva, 2014, 446 pp.
  • Marín, Ulianov, Categorías filosóficas generales aplicadas a los fenómenos estéticos. Estudio de caso en la música y los discursos sonoros, “Ciencia ergo sum” (México), Vol. 21, N. 2, 2014, pp. 112-120.
    Marín, Ulianov, Categorías filosóficas generales aplicadas a los fenómenos estéticos. Estudio de caso en la música y los discursos sonoros, “Ciencia ergo sum” (México), Vol. 21, N. 2, 2014, pp. 112-120.
    Marín, Ulianov, Categorías filosóficas generales aplicadas a los fenómenos estéticos. Estudio de caso en la música y los discursos sonoros, “Ciencia ergo sum” (México), Vol. 21, N. 2, 2014, pp. 112-120.
  • Marcheschi, Matteo, Diderot e il polype d'eau douce: l'immaginazione tra natura e metafora, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/2), pp. 109-125.
    Marcheschi, Matteo, Diderot e il polype d'eau douce: l'immaginazione tra natura e metafora, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/2), pp. 109-125.
    Marcheschi, Matteo, Diderot e il polype d'eau douce: l'immaginazione tra natura e metafora, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/2), pp. 109-125.
  • Marchetti, Luca, La storia dell'arte nell'epoca post-storica, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 185-212.
    Marchetti, Luca, La storia dell'arte nell'epoca post-storica, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 185-212.
    Marchetti, Luca, La storia dell'arte nell'epoca post-storica, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 185-212.
  • Mareis, Claudia, Theorien des Designs zur Einführung, Junius, Hamburg, 2014, 256 pp.
    Mareis, Claudia, Theorien des Designs zur Einführung, Junius, Hamburg, 2014, 256 pp.
    Mareis, Claudia, Theorien des Designs zur Einführung, Junius, Hamburg, 2014, 256 pp.
  • Mariani, Sandra, Il «pathos» del nascosto, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 165-184.
    Mariani, Sandra, Il «pathos» del nascosto, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 165-184.
    Mariani, Sandra, Il «pathos» del nascosto, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 165-184.
  • Marienberg, Sabine, a cura di, Bildakt at the Warburg Institute, De Gruyter, Berlin, 2014, 254 pp.
    Marienberg, Sabine, a cura di, Bildakt at the Warburg Institute, De Gruyter, Berlin, 2014, 254 pp.
    Marienberg, Sabine, a cura di, Bildakt at the Warburg Institute, De Gruyter, Berlin, 2014, 254 pp.
  • Marino, Gabriele, L'estasi dell'influenza. John Zorn e la transtestualità come paradigma, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 141-160.
    Marino, Gabriele, L'estasi dell'influenza. John Zorn e la transtestualità come paradigma, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 141-160.
    Marino, Gabriele, L'estasi dell'influenza. John Zorn e la transtestualità come paradigma, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 141-160.
  • Marion, Jean-Luc, Courbet: ou la peinture à l’œil, Flammarion, Paris, 2014, 225 pp.
    Marion, Jean-Luc, Courbet: ou la peinture à l’œil, Flammarion, Paris, 2014, 225 pp.
    Marion, Jean-Luc, Courbet: ou la peinture à l’œil, Flammarion, Paris, 2014, 225 pp.
  • Marques, Aída, Marquez, Anna, Païni, Dominique, Expo(r) Godard, 7 Letras, Lisboa, 2014, 188 pp.
    Marques, Aída, Marquez, Anna, Païni, Dominique, Expo(r) Godard, 7 Letras, Lisboa, 2014, 188 pp.
    Marques, Aída, Marquez, Anna, Païni, Dominique, Expo(r) Godard, 7 Letras, Lisboa, 2014, 188 pp.
  • Marras, Lorenzo, Mecacci, Andrea, La sparizione del design. Parte II: Less is Less, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 153-175.
    Marras, Lorenzo, Mecacci, Andrea, La sparizione del design. Parte II: Less is Less, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 153-175.
    Marras, Lorenzo, Mecacci, Andrea, La sparizione del design. Parte II: Less is Less, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 153-175.
  • Marras, Lorenzo, Mecacci, Andrea, La sparizione del design. Parte III: More is Less, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 177-199.
    Marras, Lorenzo, Mecacci, Andrea, La sparizione del design. Parte III: More is Less, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 177-199.
    Marras, Lorenzo, Mecacci, Andrea, La sparizione del design. Parte III: More is Less, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 177-199.
  • Marschall, Brigitte, (K)ein Ende der Kunst. Kritische Theorie, Ästhetik, Gesellschaft, LIT, Wien, 2014, 250 pp.
    Marschall, Brigitte, (K)ein Ende der Kunst. Kritische Theorie, Ästhetik, Gesellschaft, LIT, Wien, 2014, 250 pp.
    Marschall, Brigitte, (K)ein Ende der Kunst. Kritische Theorie, Ästhetik, Gesellschaft, LIT, Wien, 2014, 250 pp.
  • Martínez, Noemí Elisa, Las artes visuales en la obra de Cortázar, Del Centro Editores, Madrid, 2014, 148 pp.
    Martínez, Noemí Elisa, Las artes visuales en la obra de Cortázar, Del Centro Editores, Madrid, 2014, 148 pp.
    Martínez, Noemí Elisa, Las artes visuales en la obra de Cortázar, Del Centro Editores, Madrid, 2014, 148 pp.
  • Martin Wirth, Jason, Painting Mountains And Rivers: Gary Snyder, Dogen, And The Elemental Sutra Of The Wild, “Research In Phenomenology”, 44, 2 (2014), pp. 240-261.
    Martin Wirth, Jason, Painting Mountains And Rivers: Gary Snyder, Dogen, And The Elemental Sutra Of The Wild, “Research In Phenomenology”, 44, 2 (2014), pp. 240-261.
    Martin Wirth, Jason, Painting Mountains And Rivers: Gary Snyder, Dogen, And The Elemental Sutra Of The Wild, “Research In Phenomenology”, 44, 2 (2014), pp. 240-261.
  • Martin, Marie, À l’avant-garde, rêve nouveau. Écrans et tableaux rêvés au cinéma, d’El Dorado à Une Nuit sur le Mont Chauve, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014, pp. 45-56.
    Martin, Marie, À l’avant-garde, rêve nouveau. Écrans et tableaux rêvés au cinéma, d’El Dorado à Une Nuit sur le Mont Chauve, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014, pp. 45-56.
    Martin, Marie, À l’avant-garde, rêve nouveau. Écrans et tableaux rêvés au cinéma, d’El Dorado à Une Nuit sur le Mont Chauve, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014, pp. 45-56.
  • Maslova, Žanna, Vvedenie v kognitivnuju poetiku [Introduzione alla poetica cognitiva], Izd-vo TGU, Tamboc, 2014, 250 pp.
    Maslova, Žanna, Vvedenie v kognitivnuju poetiku [Introduzione alla poetica cognitiva], Izd-vo TGU, Tamboc, 2014, 250 pp.
    Maslova, Zanna, Vvedenie v kognitivnuju poetiku [Introduzione alla poetica cognitiva], Izd-vo TGU, Tamboc, 2014, 250 pp.
  • Massaert, Lucien, Liminaire. Le triple d’une réserve, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).
    Massaert, Lucien, Liminaire. Le triple d’une réserve, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).
    Massaert, Lucien, Liminaire. Le triple d’une réserve, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).
  • Massecar, Aaron, Peirce, Moral Cognitivism, And The Development Of Character, “Transactions Of The Charles S. Peirce Society: A Quarterly Journal In American Philosophy”, 50, 1 (2014), pp. 139-161.
    Massecar, Aaron, Peirce, Moral Cognitivism, And The Development Of Character, “Transactions Of The Charles S. Peirce Society: A Quarterly Journal In American Philosophy”, 50, 1 (2014), pp. 139-161.
    Massecar, Aaron, Peirce, Moral Cognitivism, And The Development Of Character, “Transactions Of The Charles S. Peirce Society: A Quarterly Journal In American Philosophy”, 50, 1 (2014), pp. 139-161.
  • Matherne, Samantha, Kant's Expressive Theory Of Music, “Journal Of Aesthetics And Art Criticism”, 72, 2 (2014), pp. 129-145.
    Matherne, Samantha, Kant's Expressive Theory Of Music, “Journal Of Aesthetics And Art Criticism”, 72, 2 (2014), pp. 129-145.
    Matherne, Samantha, Kant's Expressive Theory Of Music, “Journal Of Aesthetics And Art Criticism”, 72, 2 (2014), pp. 129-145.
  • Matossian, Chakè, Gribouiller, griffonner: le dessin à l’œuvre, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).
    Matossian, Chakè, Gribouiller, griffonner: le dessin à l’œuvre, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).
    Matossian, Chakè, Gribouiller, griffonner: le dessin à l’œuvre, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles).
  • Matsumoto, Naomi, Il plagio vs «una piacevole reminiscenza al nostro orecchio». The Siege of Rochelle (1835) di Michael Balfe e il «lavoro culturale» della critica estetica, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 83-99.
    Matsumoto, Naomi, Il plagio vs «una piacevole reminiscenza al nostro orecchio». The Siege of Rochelle (1835) di Michael Balfe e il «lavoro culturale» della critica estetica, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 83-99.
    Matsumoto, Naomi, Il plagio vs «una piacevole reminiscenza al nostro orecchio». The Siege of Rochelle (1835) di Michael Balfe e il «lavoro culturale» della critica estetica, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 83-99.
  • Matteucci, Giovanni, Estetica e natura umana: considerazioni programmatiche, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 213-240.
    Matteucci, Giovanni, Estetica e natura umana: considerazioni programmatiche, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 213-240.
    Matteucci, Giovanni, Estetica e natura umana: considerazioni programmatiche, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 213-240.
  • Matthen, Mohan, How To Explain Pleasure, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 477-481.
    Matthen, Mohan, How To Explain Pleasure, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 477-481.
    Matthen, Mohan, How To Explain Pleasure, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 477-481.
  • Mattiussi, Laurent, Mallarmé et la Chine, Langarts, Paris 2014, 168 pp.
    Mattiussi, Laurent, Mallarmé et la Chine, Langarts, Paris 2014, 168 pp.
    Mattiussi, Laurent, Mallarmé et la Chine, Langarts, Paris 2014, 168 pp.
  • Maturo, Graciela, Palabra y símbolo: el conomiento fundante. Aportes para una reconstrucción de las culturas desde el pensamiento americano, Pronombre, Buenos Aires, 2014, 228 pp.
    Maturo, Graciela, Palabra y símbolo: el conomiento fundante. Aportes para una reconstrucción de las culturas desde el pensamiento americano, Pronombre, Buenos Aires, 2014, 228 pp.
    Maturo, Graciela, Palabra y símbolo: el conomiento fundante. Aportes para una reconstrucción de las culturas desde el pensamiento americano, Pronombre, Buenos Aires, 2014, 228 pp.
  • Mazzocut-Mis, Maddalena, Dalla “scala” al “piano”. Appunti per un'indagine interpretativa, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/2), pp. 7-24.
    Mazzocut-Mis, Maddalena, Dalla “scala” al “piano”. Appunti per un'indagine interpretativa, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/2), pp. 7-24.
    Mazzocut-Mis, Maddalena, Dalla “scala” al “piano”. Appunti per un'indagine interpretativa, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/2), pp. 7-24.
  • Mazzocut-Mis, Maddalena, L'Œdipe di Voltaire tra tragedia e dramma, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VII (2014), pp. 113-148.
    Mazzocut-Mis, Maddalena, L'Œdipe di Voltaire tra tragedia e dramma, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VII (2014), pp. 113-148.
    Mazzocut-Mis, Maddalena, L'Œdipe di Voltaire tra tragedia e dramma, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VII (2014), pp. 113-148.
  • McEachern, Claire Elizabeth, Two Loves I Have: Of Comfort And Despair In Shakespearean Genre, “British Journal Of Aesthetics”, 54, 2 (2014), pp. 191-211.
    McEachern, Claire Elizabeth, Two Loves I Have: Of Comfort And Despair In Shakespearean Genre, “British Journal Of Aesthetics”, 54, 2 (2014), pp. 191-211.
    McEachern, Claire Elizabeth, Two Loves I Have: Of Comfort And Despair In Shakespearean Genre, “British Journal Of Aesthetics”, 54, 2 (2014), pp. 191-211.
  • McGregor, Rafe, A Critique Of The Value Interaction Debate, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 449-466.
    McGregor, Rafe, A Critique Of The Value Interaction Debate, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 449-466.
    McGregor, Rafe, A Critique Of The Value Interaction Debate, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 449-466.
  • McGregor, Rafe, Poetic Thickness, “British Journal Of Aesthetics”, 54, 1 (2014), pp. 49-64.
    McGregor, Rafe, Poetic Thickness, “British Journal Of Aesthetics”, 54, 1 (2014), pp. 49-64.
    McGregor, Rafe, Poetic Thickness, “British Journal Of Aesthetics”, 54, 1 (2014), pp. 49-64.
  • McLean, Ian, Modernism without Borders, “Filozofski Vestnik”, 35 (2014), pp. 121-139.
    McLean, Ian, Modernism without Borders, “Filozofski Vestnik”, 35 (2014), pp. 121-139.
    McLean, Ian, Modernism without Borders, “Filozofski Vestnik”, 35 (2014), pp. 121-139.
  • McQuillan, Colin J., Baumgarten on Sensible Perfection, “Philosophica”, 44 (2014), pp. 47-64.
    McQuillan, Colin J., Baumgarten on Sensible Perfection, “Philosophica”, 44 (2014), pp. 47-64.
    McQuillan, Colin J., Baumgarten on Sensible Perfection, “Philosophica”, 44 (2014), pp. 47-64.
  • Mecacci, Andrea, Marras, Lorenzo, La sparizione del design. Parte I: Less is More, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 141-151.
    Mecacci, Andrea, Marras, Lorenzo, La sparizione del design. Parte I: Less is More, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 141-151.
    Mecacci, Andrea, Marras, Lorenzo, La sparizione del design. Parte I: Less is More, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 141-151.
  • Medina González, Cuauhtémoc, a cura di, Estética y Emancipación. Fantasma, fetiche, fantasmagoría, Universidad Nacional Autónoma de México, México D.F., 2014, 501 pp.
    Medina González, Cuauhtémoc, a cura di, Estética y Emancipación. Fantasma, fetiche, fantasmagoría, Universidad Nacional Autónoma de México, México D.F., 2014, 501 pp.
    Medina González, Cuauhtémoc, a cura di, Estética y Emancipación. Fantasma, fetiche, fantasmagoría, Universidad Nacional Autónoma de México, México D.F., 2014, 501 pp.
  • Meldgaard, Sejr, Tvivl, magt, æstetik, samtaler, refleksioner og fortællinger om ledelse [Dubbio, potere, estetica, dialoghi, riflessioni e racconti sulla leadership], Jurist- og Økonomforbundet, København, 2014, 397 pp.
    Meldgaard, Sejr, Tvivl, magt, æstetik, samtaler, refleksioner og fortællinger om ledelse [Dubbio, potere, estetica, dialoghi, riflessioni e racconti sulla leadership], Jurist- og Økonomforbundet, København, 2014, 397 pp.
    Meldgaard, Sejr, Tvivl, magt, æstetik, samtaler, refleksioner og fortællinger om ledelse [Dubbio, potere, estetica, dialoghi, riflessioni e racconti sulla leadership], Jurist- og Økonomforbundet, København, 2014, 397 pp.
  • Meli, Cinthia, Les Caractères de Bossuet. L’écriture moraliste dans les sermons de Carême, "Poétique", 176, 2014/2 (Le Seuil, Paris), pp. 281-296.
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