D

  • Díaz Bucero, Jesús, Sánchez Pérez, María Dolores, Poesía, pintura y caligrafía. Entrevista a Hassan Massoudy, “Revista de bellas artes”, n. 12, 2014, pp. 207-231.
    Díaz Bucero, Jesús, Sánchez Pérez, María Dolores, Poesía, pintura y caligrafía. Entrevista a Hassan Massoudy, “Revista de bellas artes”, n. 12, 2014, pp. 207-231.
    Díaz Bucero, Jesús, Sánchez Pérez, María Dolores, Poesía, pintura y caligrafía. Entrevista a Hassan Massoudy, “Revista de bellas artes”, n. 12, 2014, pp. 207-231.
  • Díaz Gutiérrez, Orlando, La belleza de una filosofía en movimiento, Editorial Círculo Rojo, El Ejido, 2014, 186 pp.
    Díaz Gutiérrez, Orlando, La belleza de una filosofía en movimiento, Editorial Círculo Rojo, El Ejido, 2014, 186 pp.
    Díaz Gutiérrez, Orlando, La belleza de una filosofía en movimiento, Editorial Círculo Rojo, El Ejido, 2014, 186 pp.
  • Díaz Villarreal, William, Las analogía del espejo, el cristal y el reflejo en los ensayos críticos de de Paul Valéry y T. S. Eliot, “Boletín de Estética” (Argentina), n. 27, 2014, pp. 27-58.
    Díaz Villarreal, William, Las analogía del espejo, el cristal y el reflejo en los ensayos críticos de de Paul Valéry y T. S. Eliot, “Boletín de Estética” (Argentina), n. 27, 2014, pp. 27-58.
    Díaz Villarreal, William, Las analogía del espejo, el cristal y el reflejo en los ensayos críticos de de Paul Valéry y T. S. Eliot, “Boletín de Estética” (Argentina), n. 27, 2014, pp. 27-58.
  • Díaz, Santiago, Arte y pensamiento en Gilles Deleuze. Una experiencia lúdico-estética más allá de la interpretación, “Fedro: revista de estética y teoría de las artes”, n. 13, 2014, pp. 70-78.
    Díaz, Santiago, Arte y pensamiento en Gilles Deleuze. Una experiencia lúdico-estética más allá de la interpretación, “Fedro: revista de estética y teoría de las artes”, n. 13, 2014, pp. 70-78.
    Díaz, Santiago, Arte y pensamiento en Gilles Deleuze. Una experiencia lúdico-estética más allá de la interpretación, “Fedro: revista de estética y teoría de las artes”, n. 13, 2014, pp. 70-78.
  • Döhl, Frédéric, Per un campo di dibattito interdisciplinare. A proposito del ruolo dell'esperienza estetica nella giurisprudenza riguardante il copyright, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 47-58.
    Döhl, Frédéric, Per un campo di dibattito interdisciplinare. A proposito del ruolo dell'esperienza estetica nella giurisprudenza riguardante il copyright, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 47-58.
    Döhl, Frédéric, Per un campo di dibattito interdisciplinare. A proposito del ruolo dell'esperienza estetica nella giurisprudenza riguardante il copyright, “Estetica. Studi e ricerche” (Napoli), IV (1/2014), pp. 47-58.
  • D'Cruz, Jason, Magnus, P.D., Are Digital Images Allographic?, “Journal Of Aesthetics And Art Criticism”, 72, 4 (2014), pp. 417-427.
    D'Cruz, Jason, Magnus, P.D., Are Digital Images Allographic?, “Journal Of Aesthetics And Art Criticism”, 72, 4 (2014), pp. 417-427.
    D'Cruz, Jason, Magnus, P.D., Are Digital Images Allographic?, “Journal Of Aesthetics And Art Criticism”, 72, 4 (2014), pp. 417-427.
  • Dalmasso, Anna Caterina, Il bordo opaco. Pensare lo schermo, pensare la superficie, “Rivista di Estetica” (Torino), n.s., LV (2014/1), pp. 53-70.
    Dalmasso, Anna Caterina, Il bordo opaco. Pensare lo schermo, pensare la superficie, “Rivista di Estetica” (Torino), n.s., LV (2014/1), pp. 53-70.
    Dalmasso, Anna Caterina, Il bordo opaco. Pensare lo schermo, pensare la superficie, “Rivista di Estetica” (Torino), n.s., LV (2014/1), pp. 53-70.
  • Dalmasso, Anna Caterina, Il cinema come reversibilità di percezione ed espressione, “Materiali di Estetica” (Milano), I (2014), pp. 75-99.
    Dalmasso, Anna Caterina, Il cinema come reversibilità di percezione ed espressione, “Materiali di Estetica” (Milano), I (2014), pp. 75-99.
    Dalmasso, Anna Caterina, Il cinema come reversibilità di percezione ed espressione, “Materiali di Estetica” (Milano), I (2014), pp. 75-99.
  • Danesi, Fabien, L’extase esthétique: Jean Baudrillard et la consommation/consumation de l’art, Sens & Tonka, Paris, 2014, 48 pp.
    Danesi, Fabien, L’extase esthétique: Jean Baudrillard et la consommation/consumation de l’art, Sens & Tonka, Paris, 2014, 48 pp.
    Danesi, Fabien, L’extase esthétique: Jean Baudrillard et la consommation/consumation de l’art, Sens & Tonka, Paris, 2014, 48 pp.
  • Darmon, Jean-Charles, Fiction et émotions à l’épreuve de l’extermination de masse remarques sur le thème de la « catharsis impossible», "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 57-69.
    Darmon, Jean-Charles, Fiction et émotions à l’épreuve de l’extermination de masse remarques sur le thème de la « catharsis impossible», "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 57-69.
    Darmon, Jean-Charles, Fiction et émotions à l’épreuve de l’extermination de masse remarques sur le thème de la « catharsis impossible», "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 57-69.
  • Davies, Stephen, A Précis of “The Artful Species”, “Estetika: The Central European Journal of Aesthetics”, 51, New Series, VII (2014), pp. 95-97.
    Davies, Stephen, A Précis of “The Artful Species”, “Estetika: The Central European Journal of Aesthetics”, 51, New Series, VII (2014), pp. 95-97.
    Davies, Stephen, A Précis of “The Artful Species”, “Estetika: The Central European Journal of Aesthetics”, 51, New Series, VII (2014), pp. 95-97.
  • Davies, Stephen, Art And Aesthetic Behaviors As Possible Expressions of Our Biologically Evolved Human Nature, “Philosophy Compass”, 9, 6 (2014), pp. 361-367.
    Davies, Stephen, Art And Aesthetic Behaviors As Possible Expressions of Our Biologically Evolved Human Nature, “Philosophy Compass”, 9, 6 (2014), pp. 361-367.
    Davies, Stephen, Art And Aesthetic Behaviors As Possible Expressions of Our Biologically Evolved Human Nature, “Philosophy Compass”, 9, 6 (2014), pp. 361-367.
  • Davies, Stephen, Replies To My Critics, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 493-498.
    Davies, Stephen, Replies To My Critics, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 493-498.
    Davies, Stephen, Replies To My Critics, “British Journal Of Aesthetics”, 54, 4 (2014), pp. 493-498.
  • Davies, Stephen, Response to Wilfried van Damme, Ellen Dissanayake, Joseph Carroll, Katja Mellmann, Jerzy Luty, “Estetika: The Central European Journal of Aesthetics”, 51, New Series, VII (2014), pp. 126-136.
    Davies, Stephen, Response to Wilfried van Damme, Ellen Dissanayake, Joseph Carroll, Katja Mellmann, Jerzy Luty, “Estetika: The Central European Journal of Aesthetics”, 51, New Series, VII (2014), pp. 126-136.
    Davies, Stephen, Response to Wilfried van Damme, Ellen Dissanayake, Joseph Carroll, Katja Mellmann, Jerzy Luty, “Estetika: The Central European Journal of Aesthetics”, 51, New Series, VII (2014), pp. 126-136.
  • De Azevedo Ramos, Felipe, The Metaphysics of Light in the Aesthetics of Suger of Saint-Denis, “Dionysius”, 32 (2014), New Series, pp. 116-139.
    De Azevedo Ramos, Felipe, The Metaphysics of Light in the Aesthetics of Suger of Saint-Denis, “Dionysius”, 32 (2014), New Series, pp. 116-139.
    De Azevedo Ramos, Felipe, The Metaphysics of Light in the Aesthetics of Suger of Saint-Denis, “Dionysius”, 32 (2014), New Series, pp. 116-139.
  • de Bary, Cecile, L’écriture ou la voix. Perec et le style, "Poétique", 175, 2014/1 (Le Seuil, Paris), pp. 59-72.
    de Bary, Cecile, L’écriture ou la voix. Perec et le style, "Poétique", 175, 2014/1 (Le Seuil, Paris), pp. 59-72.
    de Bary, Cecile, L’écriture ou la voix. Perec et le style, "Poétique", 175, 2014/1 (Le Seuil, Paris), pp. 59-72.
  • De Bruyne, Edgard, Études d’esthétique médiévale, suivi de l’Esthétique du Moyen Age, Albin Michel, Paris, 2014 (réedition), 2 tomes, 796 pp., 698 pp.
    De Bruyne, Edgard, Études d’esthétique médiévale, suivi de l’Esthétique du Moyen Age, Albin Michel, Paris, 2014 (réedition), 2 tomes, 796 pp., 698 pp.
    De Bruyne, Edgard, Études d’esthétique médiévale, suivi de l’Esthétique du Moyen Age, Albin Michel, Paris, 2014 (réedition), 2 tomes, 796 pp., 698 pp.
  • De Crée, Carl, What is a color? The judogi and Japanese Aesthetics, “Kano Society Bulletin”, 12 (24), 2014, pp. 1-4.
    De Crée, Carl, What is a color? The judogi and Japanese Aesthetics, “Kano Society Bulletin”, 12 (24), 2014, pp. 1-4.
    De Crée, Carl, What is a color? The judogi and Japanese Aesthetics, “Kano Society Bulletin”, 12 (24), 2014, pp. 1-4.
  • De la Fuente, Eduardo, Why Aesthetic Patterns Matter: Art And A 'Qualitative' Social Theory, “Journal For The Theory Of Social Behaviour”, 44, 2 (2014), pp. 168-185.
    De la Fuente, Eduardo, Why Aesthetic Patterns Matter: Art And A 'Qualitative' Social Theory, “Journal For The Theory Of Social Behaviour”, 44, 2 (2014), pp. 168-185.
    De la Fuente, Eduardo, Why Aesthetic Patterns Matter: Art And A 'Qualitative' Social Theory, “Journal For The Theory Of Social Behaviour”, 44, 2 (2014), pp. 168-185.
  • De Luca, Maria Giuseppina, Estetico metropolitano. La scena Baudrillard, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 5-28.
    De Luca, Maria Giuseppina, Estetico metropolitano. La scena Baudrillard, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 5-28.
    De Luca, Maria Giuseppina, Estetico metropolitano. La scena Baudrillard, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 5-28.
  • Debecque-Michel, Laurence, Douglas Gordon au M.A.M. de Paris: questions à Odile Burluraux, “Ligeia. Dossier: L’art vidéo”, XXVII Année, 133-136, 2014.
    Debecque-Michel, Laurence, Douglas Gordon au M.A.M. de Paris: questions à Odile Burluraux, “Ligeia. Dossier: L’art vidéo”, XXVII Année, 133-136, 2014.
    Debecque-Michel, Laurence, Douglas Gordon au M.A.M. de Paris: questions à Odile Burluraux, “Ligeia. Dossier: L’art vidéo”, XXVII Année, 133-136, 2014.
  • Debray, Régis, Ça coule de source: l’image, l’eau, la femme, INA, Paris, 2014, 25 pp.
    Debray, Régis, Ça coule de source: l’image, l’eau, la femme, INA, Paris, 2014, 25 pp.
    Debray, Régis, Ça coule de source: l’image, l’eau, la femme, INA, Paris, 2014, 25 pp.
  • Declos, Alexandre, The Aesthetic and Cognitive Value of Surprise, “Proceedings of the European Society for Aesthetics”, 6 (2014), pp. 52-69.
    Declos, Alexandre, The Aesthetic and Cognitive Value of Surprise, “Proceedings of the European Society for Aesthetics”, 6 (2014), pp. 52-69.
    Declos, Alexandre, The Aesthetic and Cognitive Value of Surprise, “Proceedings of the European Society for Aesthetics”, 6 (2014), pp. 52-69.
  • Deinse, Stefan, Glaube, Liebe, Action, “Allgemeine Zeitschrift für Philosophie” (Hildesheim), 39, 3 (2014), pp. 319-325.
    Deinse, Stefan, Glaube, Liebe, Action, “Allgemeine Zeitschrift für Philosophie” (Hildesheim), 39, 3 (2014), pp. 319-325.
    Deinse, Stefan, Glaube, Liebe, Action, “Allgemeine Zeitschrift für Philosophie” (Hildesheim), 39, 3 (2014), pp. 319-325.
  • Delaporte, Chloé, De Dr. Jekyll à Mr. Hyde: esthétique(s) de l’hallucination chez Rouben Mamoulian et Victor Fleming, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
    Delaporte, Chloé, De Dr. Jekyll à Mr. Hyde: esthétique(s) de l’hallucination chez Rouben Mamoulian et Victor Fleming, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
    Delaporte, Chloé, De Dr. Jekyll à Mr. Hyde: esthétique(s) de l’hallucination chez Rouben Mamoulian et Victor Fleming, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
  • Delarue, Dominic, Riegl liest Löwy - Riegl gelesen mit Löwy. Der Entwurf einer positivistischen Kunstgeschichtsschreibung in Riegels Aufsatz 'Naturwerk und Kunstwerk' und Löwys 'Die Naturwiedergabe in der älteren griechischen Kunst', “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59 (2014), pp. 177-201.
    Delarue, Dominic, Riegl liest Löwy - Riegl gelesen mit Löwy. Der Entwurf einer positivistischen Kunstgeschichtsschreibung in Riegels Aufsatz 'Naturwerk und Kunstwerk' und Löwys 'Die Naturwiedergabe in der älteren griechischen Kunst', “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59 (2014), pp. 177-201.
    Delarue, Dominic, Riegl liest Löwy - Riegl gelesen mit Löwy. Der Entwurf einer positivistischen Kunstgeschichtsschreibung in Riegels Aufsatz 'Naturwerk und Kunstwerk' und Löwys 'Die Naturwiedergabe in der älteren griechischen Kunst', “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59 (2014), pp. 177-201.
  • Deleuze, Gilles, Bodini, Jacopo, Rozzoni, Claudio (a cura di), Gli aspetti del tempo, “Materiali di Estetica” (Milano), I (2014), pp. 131-136.
    Deleuze, Gilles, Bodini, Jacopo, Rozzoni, Claudio (a cura di), Gli aspetti del tempo, “Materiali di Estetica” (Milano), I (2014), pp. 131-136.
    Deleuze, Gilles, Bodini, Jacopo, Rozzoni, Claudio (a cura di), Gli aspetti del tempo, “Materiali di Estetica” (Milano), I (2014), pp. 131-136.
  • Deligiorgi, Katerina, The Pleasures Of Contra-Purposiveness: Kant, The Sublime, And Being Human, “Journal Of Aesthetics And Art Criticism”, 72.1 (2014), pp. 25-35.
    Deligiorgi, Katerina, The Pleasures Of Contra-Purposiveness: Kant, The Sublime, And Being Human, “Journal Of Aesthetics And Art Criticism”, 72.1 (2014), pp. 25-35.
    Deligiorgi, Katerina, The Pleasures Of Contra-Purposiveness: Kant, The Sublime, And Being Human, “Journal Of Aesthetics And Art Criticism”, 72.1 (2014), pp. 25-35.
  • Delmas, Fabien, De l’onirisme à Hollywood. Les songes de William Dieterle, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
    Delmas, Fabien, De l’onirisme à Hollywood. Les songes de William Dieterle, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
    Delmas, Fabien, De l’onirisme à Hollywood. Les songes de William Dieterle, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
  • Demont, Florian, Depiction at Its Limits: How Segantini’s “Alpine Triptych” Challenges Hyman’s Conception of Depiction, “Kairos: Revista de Filosofia & Ciência”, 11 (2014), pp. 13-30.
    Demont, Florian, Depiction at Its Limits: How Segantini’s “Alpine Triptych” Challenges Hyman’s Conception of Depiction, “Kairos: Revista de Filosofia & Ciência”, 11 (2014), pp. 13-30.
    Demont, Florian, Depiction at Its Limits: How Segantini’s “Alpine Triptych” Challenges Hyman’s Conception of Depiction, “Kairos: Revista de Filosofia & Ciência”, 11 (2014), pp. 13-30.
  • Demurger, Lucas, Un Malraux philosophe. Les Écrits sur l’art, “Critique. Le musée, sous réserve d’inventaire”, 805-806, 2014.
    Demurger, Lucas, Un Malraux philosophe. Les Écrits sur l’art, “Critique. Le musée, sous réserve d’inventaire”, 805-806, 2014.
    Demurger, Lucas, Un Malraux philosophe. Les Écrits sur l’art, “Critique. Le musée, sous réserve d’inventaire”, 805-806, 2014.
  • Denana, Malda, Ästhetik des Tanzes. Zur Anthropologie des tanzenden Körpers, Transcript, Bielefeld, 2014, 289 pp.
    Denana, Malda, Ästhetik des Tanzes. Zur Anthropologie des tanzenden Körpers, Transcript, Bielefeld, 2014, 289 pp.
    Denana, Malda, Ästhetik des Tanzes. Zur Anthropologie des tanzenden Körpers, Transcript, Bielefeld, 2014, 289 pp.
  • Derrida, Jacques, Bougnoux, Daniel, Stiegler, Bernard (a cura di), Trace et archive, image et art. Suivi de Pour Jacques Derrida, INA, Paris, 2014, 101 pp.
    Derrida, Jacques, Bougnoux, Daniel, Stiegler, Bernard (a cura di), Trace et archive, image et art. Suivi de Pour Jacques Derrida, INA, Paris, 2014, 101 pp.
    Derrida, Jacques, Bougnoux, Daniel, Stiegler, Bernard (a cura di), Trace et archive, image et art. Suivi de Pour Jacques Derrida, INA, Paris, 2014, 101 pp.
  • Desideri, Fabrizio, Epigenesi e deduzione dei giudizi estetici. Per il superamento di antiche dicotomie, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 29-55.
    Desideri, Fabrizio, Epigenesi e deduzione dei giudizi estetici. Per il superamento di antiche dicotomie, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 29-55.
    Desideri, Fabrizio, Epigenesi e deduzione dei giudizi estetici. Per il superamento di antiche dicotomie, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 29-55.
  • Di Francesco, Michele, Tomasetta, Alfredo, Immaginare e sperimentare. Gli zombie e il problema della coscienza fenomenica, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 179-208.
    Di Francesco, Michele, Tomasetta, Alfredo, Immaginare e sperimentare. Gli zombie e il problema della coscienza fenomenica, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 179-208.
    Di Francesco, Michele, Tomasetta, Alfredo, Immaginare e sperimentare. Gli zombie e il problema della coscienza fenomenica, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 179-208.
  • Di Giacomo, Giuseppe, Dalla modernità alla contemporaneità: l'opera al di là dell'oggetto, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 57-84.
    Di Giacomo, Giuseppe, Dalla modernità alla contemporaneità: l'opera al di là dell'oggetto, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 57-84.
    Di Giacomo, Giuseppe, Dalla modernità alla contemporaneità: l'opera al di là dell'oggetto, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 57-84.
  • Di Monte, Maria Giuseppina, Il paesaggio dentro il museo, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 165-175.
    Di Monte, Maria Giuseppina, Il paesaggio dentro il museo, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 165-175.
    Di Monte, Maria Giuseppina, Il paesaggio dentro il museo, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 165-175.
  • Di Monte, Michele, Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 143-164.
    Di Monte, Michele, Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 143-164.
    Di Monte, Michele, Atmosferologia e atmosferografia: come mettere ordine tra le atmosfere?, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), IV (2014), pp. 143-164.
  • Di Stefano, Elisabetta, Estetica e oggetti quotidiani?, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 119-128.
    Di Stefano, Elisabetta, Estetica e oggetti quotidiani?, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 119-128.
    Di Stefano, Elisabetta, Estetica e oggetti quotidiani?, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n.s., VII (2014/1), pp. 119-128.
  • Diaconu, Madalina, Copoeru, Ion, Lived Places, Environments and Atmospheres: Phenomenology and the Transformations of Experience, “Studia Phaenomenologica: Romanian Journal of Phenomenology”, 14 (2014), pp. 11-16.
    Diaconu, Madalina, Copoeru, Ion, Lived Places, Environments and Atmospheres: Phenomenology and the Transformations of Experience, “Studia Phaenomenologica: Romanian Journal of Phenomenology”, 14 (2014), pp. 11-16.
    Diaconu, Madalina, Copoeru, Ion, Lived Places, Environments and Atmospheres: Phenomenology and the Transformations of Experience, “Studia Phaenomenologica: Romanian Journal of Phenomenology”, 14 (2014), pp. 11-16.
  • Dias, Rosa, Belair: cinéma engagé, “Recherches en Esthétique. Art et engagement”, 19, 2014 (Fort-de-France).
    Dias, Rosa, Belair: cinéma engagé, “Recherches en Esthétique. Art et engagement”, 19, 2014 (Fort-de-France).
    Dias, Rosa, Belair: cinéma engagé, “Recherches en Esthétique. Art et engagement”, 19, 2014 (Fort-de-France).
  • Didi-Huberman, Georges, Essayer voir, Les Éditions de Minuit, Paris, 2014, 93 pp.
    Didi-Huberman, Georges, Essayer voir, Les Éditions de Minuit, Paris, 2014, 93 pp.
    Didi-Huberman, Georges, Essayer voir, Les Éditions de Minuit, Paris, 2014, 93 pp.
  • Didi-Huberman, Georges, Sentir le grisou, Les Éditions de Minuit, Paris, 2014, 101 pp.
    Didi-Huberman, Georges, Sentir le grisou, Les Éditions de Minuit, Paris, 2014, 101 pp.
    Didi-Huberman, Georges, Sentir le grisou, Les Éditions de Minuit, Paris, 2014, 101 pp.
  • Dilworth, David A., Intellectual Gravity and Elective Attractions: The Provenance of Peirce’s Categories in Friedrich von Schiller, “Cognitio: Revista de Filosofia”, 15 (2014), pp. 37-72.
    Dilworth, David A., Intellectual Gravity and Elective Attractions: The Provenance of Peirce’s Categories in Friedrich von Schiller, “Cognitio: Revista de Filosofia”, 15 (2014), pp. 37-72.
    Dilworth, David A., Intellectual Gravity and Elective Attractions: The Provenance of Peirce’s Categories in Friedrich von Schiller, “Cognitio: Revista de Filosofia”, 15 (2014), pp. 37-72.
  • Dimitrieva, Larisa, a cura di, Vizual’naja kul’tura: dizajn, informacionnye techonologii [Cultura visuale: pubblicità, tecnologie dell’informazione], Izd-vo OmGTU, Omsk, 2014, 136 pp.
    Dimitrieva, Larisa, a cura di, Vizual’naja kul’tura: dizajn, informacionnye techonologii [Cultura visuale: pubblicità, tecnologie dell’informazione], Izd-vo OmGTU, Omsk, 2014, 136 pp.
    Dimitrieva, Larisa, a cura di, Vizual’naja kul’tura: dizajn, informacionnye techonologii [Cultura visuale: pubblicità, tecnologie dell’informazione], Izd-vo OmGTU, Omsk, 2014, 136 pp.
  • Dingeldein, Hannah, Die Ästhetik des Schönen und Erhabenen. Friedrich Schiller und Uwe Johnson, V&R Unipress, Göttingen, 2014, 355 pp.
    Dingeldein, Hannah, Die Ästhetik des Schönen und Erhabenen. Friedrich Schiller und Uwe Johnson, V&R Unipress, Göttingen, 2014, 355 pp.
    Dingeldein, Hannah, Die Ästhetik des Schönen und Erhabenen. Friedrich Schiller und Uwe Johnson, V&R Unipress, Göttingen, 2014, 355 pp.
  • Diodato, Roberto, Relazione, sistema, virtualità. Prospettive dell'esperienza estetica, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 85-103.
    Diodato, Roberto, Relazione, sistema, virtualità. Prospettive dell'esperienza estetica, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 85-103.
    Diodato, Roberto, Relazione, sistema, virtualità. Prospettive dell'esperienza estetica, “Studi di Estetica” (Bologna), 4ª serie, I-II (2014), pp. 85-103.
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