B

  • Büttner, Frank, Landschaft – Mythos – Geschichte. Entwürfe der Ästhetik zwischen Schiller und Schelling, Fink, Paderborn, 2014, 280 pp.
    Büttner, Frank, Landschaft – Mythos – Geschichte. Entwürfe der Ästhetik zwischen Schiller und Schelling, Fink, Paderborn, 2014, 280 pp.
    Büttner, Frank, Landschaft – Mythos – Geschichte. Entwürfe der Ästhetik zwischen Schiller und Schelling, Fink, Paderborn, 2014, 280 pp.
  • Baena Peña, Enrique, La invención estética: contribución crítica al simbolismo en las letras hispánicas contemporáneas, Cátedra, Madrid, 2014, 312 pp.
    Baena Peña, Enrique, La invención estética: contribución crítica al simbolismo en las letras hispánicas contemporáneas, Cátedra, Madrid, 2014, 312 pp.
    Baena Peña, Enrique, La invención estética: contribución crítica al simbolismo en las letras hispánicas contemporáneas, Cátedra, Madrid, 2014, 312 pp.
  • Bahlmann, Katharina, Feige, Daniel Martin, Arthur C. Dantos Kunstphilosophie. Eine kritische Bestandsaufnahme, “Zeitschrift für Kulturphilosophie” (Hamburg), 8, 2 (2014), pp. 323-341.
    Bahlmann, Katharina, Feige, Daniel Martin, Arthur C. Dantos Kunstphilosophie. Eine kritische Bestandsaufnahme, “Zeitschrift für Kulturphilosophie” (Hamburg), 8, 2 (2014), pp. 323-341.
    Bahlmann, Katharina, Feige, Daniel Martin, Arthur C. Dantos Kunstphilosophie. Eine kritische Bestandsaufnahme, “Zeitschrift für Kulturphilosophie” (Hamburg), 8, 2 (2014), pp. 323-341.
  • Baldacchino, John, Art’s False “Ease”:Form, Meaning and a Problematic Pedagogy, “Studies in Philosophy and Education”, 33 (2014), pp. 433-450.
    Baldacchino, John, Art’s False “Ease”:Form, Meaning and a Problematic Pedagogy, “Studies in Philosophy and Education”, 33 (2014), pp. 433-450.
    Baldacchino, John, Art’s False “Ease”:Form, Meaning and a Problematic Pedagogy, “Studies in Philosophy and Education”, 33 (2014), pp. 433-450.
  • Banu, Lisa S., Black Noise: Design Lessons From Roasted Green Chiles, Udon Noodles, And Pound Cake, “Journal Of Speculative Philosophy: A Quarterly Journal Of History, Criticism, And Imagination”, 28 (1) (2014), pp. 17-30.
    Banu, Lisa S., Black Noise: Design Lessons From Roasted Green Chiles, Udon Noodles, And Pound Cake, “Journal Of Speculative Philosophy: A Quarterly Journal Of History, Criticism, And Imagination”, 28 (1) (2014), pp. 17-30.
    Banu, Lisa S., Black Noise: Design Lessons From Roasted Green Chiles, Udon Noodles, And Pound Cake, “Journal Of Speculative Philosophy: A Quarterly Journal Of History, Criticism, And Imagination”, 28 (1) (2014), pp. 17-30.
  • Baranova, Jurate, Artaud Versus Kant: Annihilation Of The Imagination In Deleuze's Philosophy Cinema, “Cinema: Journal Of Philosophy And The Moving Image”, 6. (2014), pp. 137-154.
    Baranova, Jurate, Artaud Versus Kant: Annihilation Of The Imagination In Deleuze's Philosophy Cinema, “Cinema: Journal Of Philosophy And The Moving Image”, 6. (2014), pp. 137-154.
    Baranova, Jurate, Artaud Versus Kant: Annihilation Of The Imagination In Deleuze's Philosophy Cinema, “Cinema: Journal Of Philosophy And The Moving Image”, 6. (2014), pp. 137-154.
  • Barbancho, Rodríguez, Juan Ramón, Arte social y político: el trabajo de Doris Salcedo, “Laocoonte: revista de estética y teoría de las artes”, n. 1, 2014, pp. 123-129.
    Barbancho, Rodríguez, Juan Ramón, Arte social y político: el trabajo de Doris Salcedo, “Laocoonte: revista de estética y teoría de las artes”, n. 1, 2014, pp. 123-129.
    Barbancho, Rodríguez, Juan Ramón, Arte social y político: el trabajo de Doris Salcedo, “Laocoonte: revista de estética y teoría de las artes”, n. 1, 2014, pp. 123-129.
  • Barber, Michael, Dreher, Jochen, a cura di, The Interrelation of Phenomenology, Social Sciences and the Arts, Springer, Dordrecht, 2014, 380 pp.
    Barber, Michael, Dreher, Jochen, a cura di, The Interrelation of Phenomenology, Social Sciences and the Arts, Springer, Dordrecht, 2014, 380 pp.
    Barber, Michael, Dreher, Jochen, a cura di, The Interrelation of Phenomenology, Social Sciences and the Arts, Springer, Dordrecht, 2014, 380 pp.
  • Barbero, Carola, Emma and The Others, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 97-110.
    Barbero, Carola, Emma and The Others, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 97-110.
    Barbero, Carola, Emma and The Others, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 97-110.
  • Barceló, Joaquín, En torno a filosofía, retórica y política, “Estudios públicos” (Chile), N. 133, 2014, pp. 97-123.
    Barceló, Joaquín, En torno a filosofía, retórica y política, “Estudios públicos” (Chile), N. 133, 2014, pp. 97-123.
    Barceló, Joaquín, En torno a filosofía, retórica y política, “Estudios públicos” (Chile), N. 133, 2014, pp. 97-123.
  • Bardet, Marie, Improvisation en danse, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
    Bardet, Marie, Improvisation en danse, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
    Bardet, Marie, Improvisation en danse, “Ligeia. Dossier: Le Rêve au cinéma”, XXVII Année, 129-132, 2014.
  • Bares Partal, Juan de Dios, La más verdadera tragedia: la crítica de Platón a la poesía, “Laocoonte: revista de estética y teoría de las artes”, n. 1, 2014, pp. 71-85.
    Bares Partal, Juan de Dios, La más verdadera tragedia: la crítica de Platón a la poesía, “Laocoonte: revista de estética y teoría de las artes”, n. 1, 2014, pp. 71-85.
    Bares Partal, Juan de Dios, La más verdadera tragedia: la crítica de Platón a la poesía, “Laocoonte: revista de estética y teoría de las artes”, n. 1, 2014, pp. 71-85.
  • Bargenda, Angela, La communication visuelle dans le secteur bancaire européen: L’esthétique de la finance, L’Harmattan, Paris, 2014, 252 pp.
    Bargenda, Angela, La communication visuelle dans le secteur bancaire européen: L’esthétique de la finance, L’Harmattan, Paris, 2014, 252 pp.
    Bargenda, Angela, La communication visuelle dans le secteur bancaire européen: L’esthétique de la finance, L’Harmattan, Paris, 2014, 252 pp.
  • Barrena, Sara, Charles S. Peirce In Europe: The 'Aesthetic Letters', “Transactions Of The Charles S. Peirce Society: A Quarterly Journal In American Philosophy”, 50 (3) (2014), pp. 435-443.
    Barrena, Sara, Charles S. Peirce In Europe: The 'Aesthetic Letters', “Transactions Of The Charles S. Peirce Society: A Quarterly Journal In American Philosophy”, 50 (3) (2014), pp. 435-443.
    Barrena, Sara, Charles S. Peirce In Europe: The 'Aesthetic Letters', “Transactions Of The Charles S. Peirce Society: A Quarterly Journal In American Philosophy”, 50 (3) (2014), pp. 435-443.
  • Bartalesi, Lorenzo, La fragilità dell'oggetto estetico, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), V (2014), pp. 106-119.
    Bartalesi, Lorenzo, La fragilità dell'oggetto estetico, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), V (2014), pp. 106-119.
    Bartalesi, Lorenzo, La fragilità dell'oggetto estetico, “Lebenswelt. Aesthetics and philosophy of experience” (Milano), V (2014), pp. 106-119.
  • Basin, Evgenij, Duch, duša i iskusstvo [Spirito, anima e arte], Gumanitarnij, Moskva, 2014, 195 pp.
    Basin, Evgenij, Duch, duša i iskusstvo [Spirito, anima e arte], Gumanitarnij, Moskva, 2014, 195 pp.
    Basin, Evgenij, Duch, duša i iskusstvo [Spirito, anima e arte], Gumanitarnij, Moskva, 2014, 195 pp.
  • Bastos da Silva, Jorge, Bodies Of Estrangement: Mel Gibson, Sacrifice And History, “Angelaki: Journal Of The Theoretical Humanities”, 19.4 (2014), pp. 65-78.
    Bastos da Silva, Jorge, Bodies Of Estrangement: Mel Gibson, Sacrifice And History, “Angelaki: Journal Of The Theoretical Humanities”, 19.4 (2014), pp. 65-78.
    Bastos da Silva, Jorge, Bodies Of Estrangement: Mel Gibson, Sacrifice And History, “Angelaki: Journal Of The Theoretical Humanities”, 19.4 (2014), pp. 65-78.
  • Baumann, Pierre, Drawing, carve, bore and be bored, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles), pp. 42-65.
    Baumann, Pierre, Drawing, carve, bore and be bored, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles), pp. 42-65.
    Baumann, Pierre, Drawing, carve, bore and be bored, “La part de l’œil. Le dessin dans un champ élargi”, 29, 2014-2015 (Bruxelles), pp. 42-65.
  • Baychelier, Guillaume, Jeux vidéo horrifiques et artialisation des émotions extrêmes, "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 81-92.
    Baychelier, Guillaume, Jeux vidéo horrifiques et artialisation des émotions extrêmes, "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 81-92.
    Baychelier, Guillaume, Jeux vidéo horrifiques et artialisation des émotions extrêmes, "Nouvelle revue d’esthétique. L’artialisation des émotions", 14, 2014/2, pp. 81-92.
  • Beccalli, Marco, Lucrezio interpreta Epicuro: Kant e il piacere, il sublime, la natura, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 88-103.
    Beccalli, Marco, Lucrezio interpreta Epicuro: Kant e il piacere, il sublime, la natura, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 88-103.
    Beccalli, Marco, Lucrezio interpreta Epicuro: Kant e il piacere, il sublime, la natura, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 88-103.
  • Becker, Alexander, Zeitstrukturen in Jazz, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 79-92.
    Becker, Alexander, Zeitstrukturen in Jazz, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 79-92.
    Becker, Alexander, Zeitstrukturen in Jazz, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 79-92.
  • Becker, Karin, Brecevic, Geska Helena, Veneration And Wonder - The Politics Of Making Art In An Oaxacan Village, “Journal Of Aesthetics And Culture”, 6 (2014), pp. e1-e21.
    Becker, Karin, Brecevic, Geska Helena, Veneration And Wonder - The Politics Of Making Art In An Oaxacan Village, “Journal Of Aesthetics And Culture”, 6 (2014), pp. e1-e21.
    Becker, Karin, Brecevic, Geska Helena, Veneration And Wonder - The Politics Of Making Art In An Oaxacan Village, “Journal Of Aesthetics And Culture”, 6 (2014), pp. e1-e21.
  • Begue, Laurent, Une martialisation des émotions. De l’ultraviolence dans le jeu video, “Nouvelle revue d’esthétique. L’artialisation des émotions”, 14, 2014/2, pp. 31-37.
    Begue, Laurent, Une martialisation des émotions. De l’ultraviolence dans le jeu video, “Nouvelle revue d’esthétique. L’artialisation des émotions”, 14, 2014/2, pp. 31-37.
    Begue, Laurent, Une martialisation des émotions. De l’ultraviolence dans le jeu video, “Nouvelle revue d’esthétique. L’artialisation des émotions”, 14, 2014/2, pp. 31-37.
  • Bellati, Giovanna, Victor Hugo e il fou du roi: variazioni su un tipo, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 31-46.
    Bellati, Giovanna, Victor Hugo e il fou du roi: variazioni su un tipo, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 31-46.
    Bellati, Giovanna, Victor Hugo e il fou du roi: variazioni su un tipo, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 31-46.
  • Benjamin, Noys, Estetika krize: forme romana in forme vrednosti [L’estetica della crisi: forme del romanzo e forme del valore], “Borec” (Ljubljana), 66 (2014), pp. 178-191.
    Benjamin, Noys, Estetika krize: forme romana in forme vrednosti [L’estetica della crisi: forme del romanzo e forme del valore], “Borec” (Ljubljana), 66 (2014), pp. 178-191.
    Benjamin, Noys, Estetika krize: forme romana in forme vrednosti [L’estetica della crisi: forme del romanzo e forme del valore], “Borec” (Ljubljana), 66 (2014), pp. 178-191.
  • Benovsky, Jiri, The Limits Of Photography, “International Journal Of Philosophical Studies”, 22 (5) (2014), pp. 716-733.
    Benovsky, Jiri, The Limits Of Photography, “International Journal Of Philosophical Studies”, 22 (5) (2014), pp. 716-733.
    Benovsky, Jiri, The Limits Of Photography, “International Journal Of Philosophical Studies”, 22 (5) (2014), pp. 716-733.
  • Bentoglio, Alberto, L'Edipo Re di Franco Branciaroli nello studio di Sigmund Freud, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VI (2014), pp. 195-202.
    Bentoglio, Alberto, L'Edipo Re di Franco Branciaroli nello studio di Sigmund Freud, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VI (2014), pp. 195-202.
    Bentoglio, Alberto, L'Edipo Re di Franco Branciaroli nello studio di Sigmund Freud, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VI (2014), pp. 195-202.
  • Berchtold, Jacques, Martin, Christophe, Séité, Yannick, a cura di, Rousseau et le spectacle, Armand Colin, Paris, 2014, 400 pp.
    Berchtold, Jacques, Martin, Christophe, Séité, Yannick, a cura di, Rousseau et le spectacle, Armand Colin, Paris, 2014, 400 pp.
    Berchtold, Jacques, Martin, Christophe, Séité, Yannick, a cura di, Rousseau et le spectacle, Armand Colin, Paris, 2014, 400 pp.
  • Berenpas, Martine, The Monstrous Nature of Art - Levinas on Art, Time and Irresponsibility, “Proceedings of the European Society for Aesthetics”, 6 (2014), pp. 13-23.
    Berenpas, Martine, The Monstrous Nature of Art - Levinas on Art, Time and Irresponsibility, “Proceedings of the European Society for Aesthetics”, 6 (2014), pp. 13-23.
    Berenpas, Martine, The Monstrous Nature of Art - Levinas on Art, Time and Irresponsibility, “Proceedings of the European Society for Aesthetics”, 6 (2014), pp. 13-23.
  • Berezovčuk, Larisa, Očerki teorii kino [Saggi di teoria del cinema], Rossjskij institut istorii iskusstv, Sankt Peterburg, 2014, 343 pp.
    Berezovčuk, Larisa, Očerki teorii kino [Saggi di teoria del cinema], Rossjskij institut istorii iskusstv, Sankt Peterburg, 2014, 343 pp.
    Berezovcuk, Larisa, Ocerki teorii kino [Saggi di teoria del cinema], Rossjskij institut istorii iskusstv, Sankt Peterburg, 2014, 343 pp.
  • Bergamaschi, Matteo, L'icona problematica. Sulla raffigurazione di Cristo in La ricotta di Pasolini e La passione di Mazzacurati, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 121-132.
    Bergamaschi, Matteo, L'icona problematica. Sulla raffigurazione di Cristo in La ricotta di Pasolini e La passione di Mazzacurati, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 121-132.
    Bergamaschi, Matteo, L'icona problematica. Sulla raffigurazione di Cristo in La ricotta di Pasolini e La passione di Mazzacurati, “Estetica. Studi e ricerche” (Napoli), IV (2/2014), pp. 121-132.
  • Bering, Kunibert et al., Bildbegriff und Kunstverständnis im kunstpädagogischen Kontext, Athena, Oberhausen, 2014, 202 pp.
    Bering, Kunibert et al., Bildbegriff und Kunstverständnis im kunstpädagogischen Kontext, Athena, Oberhausen, 2014, 202 pp.
    Bering, Kunibert et al., Bildbegriff und Kunstverständnis im kunstpädagogischen Kontext, Athena, Oberhausen, 2014, 202 pp.
  • Berlanga Fernández, Inmaculada, García García, Francisco, Ciberretórica: Aristóteles en las redes sociales: "manual" de retórica en la comunicación digital, Editorial Fragua, Madrid, 2014, 266 pp.
    Berlanga Fernández, Inmaculada, García García, Francisco, Ciberretórica: Aristóteles en las redes sociales: "manual" de retórica en la comunicación digital, Editorial Fragua, Madrid, 2014, 266 pp.
    Berlanga Fernández, Inmaculada, García García, Francisco, Ciberretórica: Aristóteles en las redes sociales: "manual" de retórica en la comunicación digital, Editorial Fragua, Madrid, 2014, 266 pp.
  • Berleant, Arnold, Environmental Sensibility, “Studia Phaenomenologica: Romanian Journal of Phenomenology”, 14 (2014), pp. 17-23.
    Berleant, Arnold, Environmental Sensibility, “Studia Phaenomenologica: Romanian Journal of Phenomenology”, 14 (2014), pp. 17-23.
    Berleant, Arnold, Environmental Sensibility, “Studia Phaenomenologica: Romanian Journal of Phenomenology”, 14 (2014), pp. 17-23.
  • Bernier, Marc André, a cura di, Parallèle des Anciens et des Modernes. Rhétorique, histoire et esthétique au siècle des Lumières, Hermann, Paris, 2014, 214 pp.
    Bernier, Marc André, a cura di, Parallèle des Anciens et des Modernes. Rhétorique, histoire et esthétique au siècle des Lumières, Hermann, Paris, 2014, 214 pp.
    Bernier, Marc André, a cura di, Parallèle des Anciens et des Modernes. Rhétorique, histoire et esthétique au siècle des Lumières, Hermann, Paris, 2014, 214 pp.
  • Bersier, Gabrielle, Wege des Heilens. Goethes physiologische Autobiographie “Dichtung und Wahrheit”, Königshausen & Neumann, Würzburg, 2014, 253 pp.
    Bersier, Gabrielle, Wege des Heilens. Goethes physiologische Autobiographie “Dichtung und Wahrheit”, Königshausen & Neumann, Würzburg, 2014, 253 pp.
    Bersier, Gabrielle, Wege des Heilens. Goethes physiologische Autobiographie “Dichtung und Wahrheit”, Königshausen & Neumann, Würzburg, 2014, 253 pp.
  • Bertinetto, Alessandro, Jazz als gelungene Performance. Ästhetische Normativität und Improvisation, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 105-140.
    Bertinetto, Alessandro, Jazz als gelungene Performance. Ästhetische Normativität und Improvisation, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 105-140.
    Bertinetto, Alessandro, Jazz als gelungene Performance. Ästhetische Normativität und Improvisation, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 105-140.
  • Bertram, Georg W., Jazz als paradigmatische Kunstform. Eine Metakritik von Adornos Kritik des Jazz, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 15-28.
    Bertram, Georg W., Jazz als paradigmatische Kunstform. Eine Metakritik von Adornos Kritik des Jazz, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 15-28.
    Bertram, Georg W., Jazz als paradigmatische Kunstform. Eine Metakritik von Adornos Kritik des Jazz, “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft” (Hamburg), 59, 1 (2014), pp. 15-28.
  • Bertram, Georg W., Kunst als menschliche Praxis. Eine Ästhetik, Suhrkamp, Berlin, 2014, 225 pp.
    Bertram, Georg W., Kunst als menschliche Praxis. Eine Ästhetik, Suhrkamp, Berlin, 2014, 225 pp.
    Bertram, Georg W., Kunst als menschliche Praxis. Eine Ästhetik, Suhrkamp, Berlin, 2014, 225 pp.
  • Bertrand, Gwenaëlle, Favard, Maxime, a cura di, Poïétiques du design. Vers de nouveaux paradigmes de la conception?, L’Harmattan, Paris, 2014, 112 pp.
    Bertrand, Gwenaëlle, Favard, Maxime, a cura di, Poïétiques du design. Vers de nouveaux paradigmes de la conception?, L’Harmattan, Paris, 2014, 112 pp.
    Bertrand, Gwenaëlle, Favard, Maxime, a cura di, Poïétiques du design. Vers de nouveaux paradigmes de la conception?, L’Harmattan, Paris, 2014, 112 pp.
  • Bettetini, Maria, The Ancient Faults of the Other: Religion and Images at the Heart of an Unfinished Dispute, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 141-162.
    Bettetini, Maria, The Ancient Faults of the Other: Religion and Images at the Heart of an Unfinished Dispute, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 141-162.
    Bettetini, Maria, The Ancient Faults of the Other: Religion and Images at the Heart of an Unfinished Dispute, “Rivista di Estetica” (Torino), n.s., LVI (2014/2), pp. 141-162.
  • Betz, Connie, a cura di, Ästhetik der Schatten. Filmisches Licht 1915-1950, Schüren, Marburg, 2014, 160 pp.
    Betz, Connie, a cura di, Ästhetik der Schatten. Filmisches Licht 1915-1950, Schüren, Marburg, 2014, 160 pp.
    Betz, Connie, a cura di, Ästhetik der Schatten. Filmisches Licht 1915-1950, Schüren, Marburg, 2014, 160 pp.
  • Beyaert-Geslin, Anne, Dondero, Maria Giulia, Art et sciences. Approches sémiotiques et philosophiques des images, Presses Universitaires de Liège, Liège, 2014, 182 pp.
    Beyaert-Geslin, Anne, Dondero, Maria Giulia, Art et sciences. Approches sémiotiques et philosophiques des images, Presses Universitaires de Liège, Liège, 2014, 182 pp.
    Beyaert-Geslin, Anne, Dondero, Maria Giulia, Art et sciences. Approches sémiotiques et philosophiques des images, Presses Universitaires de Liège, Liège, 2014, 182 pp.
  • Beyer Andrea, Osterkamp, Ernst, a cura di, Goethe et l’art, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 2 tomes, 419 pp., 556 pp.
    Beyer Andrea, Osterkamp, Ernst, a cura di, Goethe et l’art, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 2 tomes, 419 pp., 556 pp.
    Beyer Andrea, Osterkamp, Ernst, a cura di, Goethe et l’art, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 2 tomes, 419 pp., 556 pp.
  • Beyer, Andreas, Mengoni, Angela, von Schöning, Antonia, a cura di, Interpositions. Montage d’images et production de sens, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 203 pp.
    Beyer, Andreas, Mengoni, Angela, von Schöning, Antonia, a cura di, Interpositions. Montage d’images et production de sens, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 203 pp.
    Beyer, Andreas, Mengoni, Angela, von Schöning, Antonia, a cura di, Interpositions. Montage d’images et production de sens, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 203 pp.
  • Beyer, Andreas, Valentin, Jean-Marie, a cura di, Lessing, la critique et les arts, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 146 pp.
    Beyer, Andreas, Valentin, Jean-Marie, a cura di, Lessing, la critique et les arts, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 146 pp.
    Beyer, Andreas, Valentin, Jean-Marie, a cura di, Lessing, la critique et les arts, Éditions de la Maison des Sciences de l’Homme, Paris, 2014, 146 pp.
  • Bianchi, Lorenzo, La faccia nascosta di Hollywood: Tim Burton e il sublime, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 104-122.
    Bianchi, Lorenzo, La faccia nascosta di Hollywood: Tim Burton e il sublime, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 104-122.
    Bianchi, Lorenzo, La faccia nascosta di Hollywood: Tim Burton e il sublime, “Itinera. Rivista di filosofia e di teoria delle arti” (Milano), n.s., VIII (2014), pp. 104-122.
  • Bicknell, Jeanette, Architectural Ghosts, “Journal Of Aesthetics And Art Criticism”, 72.4 (2014), pp. 435-441.
    Bicknell, Jeanette, Architectural Ghosts, “Journal Of Aesthetics And Art Criticism”, 72.4 (2014), pp. 435-441.
    Bicknell, Jeanette, Architectural Ghosts, “Journal Of Aesthetics And Art Criticism”, 72.4 (2014), pp. 435-441.
  • Bignamini, Paolo, Foto con signora. Omaggio a L'amore fugge di François Truffaut, “Materiali di Estetica” (Milano), I (2014), pp. 187-192.
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    Burman, Anders, Konst och lärande: essäer om estetiska lärprocesser [Arte e apprendimento. Saggi sui processi di apprendimento estetici], Södertörns högskola, Huddinge, 2014, 512 pp.
  • Burman, Anders, Lennerhed, Lena, a cura di, Tillsammans: politik, filosofi och estetik på 1960-och 1970-talen [Insieme. Politica, filosofia ed estetica negli anni 60 e 70 del Novecento], Atlas, Stockholm, 2014, 624 pp.
    Burman, Anders, Lennerhed, Lena, a cura di, Tillsammans: politik, filosofi och estetik på 1960-och 1970-talen [Insieme. Politica, filosofia ed estetica negli anni 60 e 70 del Novecento], Atlas, Stockholm, 2014, 624 pp.
    Burman, Anders, Lennerhed, Lena, a cura di, Tillsammans: politik, filosofi och estetik på 1960-och 1970-talen [Insieme. Politica, filosofia ed estetica negli anni 60 e 70 del Novecento], Atlas, Stockholm, 2014, 624 pp.
  • Bychkov, Oleg V., 'But Everyone Experiences The Opposite': John Duns Scotus's Aesthetic Defense Of Anselm's 'Proof' Of The Existence Of God In Light Of Present-Day Thought, “Franciscan Studies”, 72 (2014), pp. 259-303.
    Bychkov, Oleg V., 'But Everyone Experiences The Opposite': John Duns Scotus's Aesthetic Defense Of Anselm's 'Proof' Of The Existence Of God In Light Of Present-Day Thought, “Franciscan Studies”, 72 (2014), pp. 259-303.
    Bychkov, Oleg V., 'But Everyone Experiences The Opposite': John Duns Scotus's Aesthetic Defense Of Anselm's 'Proof' Of The Existence Of God In Light Of Present-Day Thought, “Franciscan Studies”, 72 (2014), pp. 259-303.